A Quote by Bill Medley
I had fans, and the industry and everybody saying, 'Keep the Righteous Brothers going; keep the music alive,' and I really didn't want to do that. I had sung with a couple of guys who would supposedly be really good Bobby Hatfields, and I thought, 'Oh geez, it's really anti-climatic.'
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I didn't expect to have music as my main thing. I always thought I was going to be a lawyer. When I graduated, I was doing really well with my music in Malaysia. I had stable income, and I had really good momentum in the music industry, so I had to make a decision whether to stop that and continue being a lawyer.
I never lived the life of 'Oh, you're so good-looking'. People thought I was a girl when I was little, because I looked like a girl-maybe because my mother would keep my hair really long in a bowl cut. I was in a coffee shop once and the waitress was like, 'What do you want, Miss?' I was 10 or 11-the worst age to have that happen. I had a jean jacket on and a Metallica pin. I thought I was really cool.
At times it seems as if you're a glorified babysitter with these guys, but they're all really good people. You just want to keep everybody happy. One of the biggest things is to keep the lines of communication open and just to keep everything running as smoothly as possible.
I'm not really concerned so much with the industry, except in country music, as long as our fans keep coming to the shows and keep buying the records and we keep having success on country radio.
I had PubLIZity, I had Oh, Hello, I had Bobby and Farley - all of these sketches that were really these duo sketches, but the relationship between them is really what catapulted them forward. A lot of that, I think, came from Wayne and Garth, these two similar guys - they're Midwestern metal guys - but in the end, they're quite different because there's an alpha and a beta. And I think that model became very present for me on Kroll Show.
We were 6-4 and everybody doubted us. We lost to the Kansas City Chiefs and that week we had a players meeting and really talked about where we really want to go. It's not about the record. At the end of the day it comes down to are we going to keep focusing on each other and are we going to keep getting better day by day? We ignored the noise, we ignored all the talk from the outside.
There are some really amazing artists and people behind the scenes who are really effective in championing feminism in the music industry, and I think that's really important for people in the industry and for young girls and guys to see. It should become universal. It's really about the other people understanding that everybody's equal and that women are equally as valid creatives, businesswomen, powerhouses...whatever you want to call them.
I'm really into music, I'm really into art, and I want to keep that fire alive.
What I really want is consistency - to keep working, for God to keep blessing me with all the amazing people in my life, to keep making good music, and to keep representing females out there.
A lot of times I had some problems, but I always had the passion and the personal motivation to keep going, to keep working hard, keep fighting for the things that really motivates me. That's all.
Friends are really important, especially when you've had the successes that I've had. I've gone really far in my career, so they're the ones that keep you humble, keep your feet on the ground.
I really believed that my songs were good enough for the whole world to listen to. I had fans from America or the U.K. who would be like, 'Oh my God, I love your music'.
I keep saying this - and I keep putting it off because I get busy - but I keep saying one year I'm gonna tape our Thanksgiving dinner or, like, our Christmas dinner and maybe put it on my website just for people to see how funny it really is, how much fun it really, really is.
A couple years ago I was going to back off and actually thought about retiring, but it keeps calling me back, and I'm going to keep going back as long as it calls me. I really think it has something to do with the good vibes that I feel I've spread through my performance and through the time that I've spent with fans.
I did not initially take to the music of the Ramones, because I had never really heard of them before. Allan Arkush had given me a cassette of the Ramones and said, "You're their No. 1 fan, so I want you to know all of their songs and fall in love with these guys." I put the cassette on and I remember running around the house going, "Oh my God. That's music?"
I'm talking about the '60s really. People go interview these guys and ask them, "Do you still think music can change the world?" I mean, go talk to Graham Nash about that. What's he going to tell you? Ask David Crosby. These guys are still out there. They're playing their hits at Staples Center and those are really valuable songs. I'm talking about a couple of the guys who got knee-deep into really believing music had a great service beyond radio. I believe it did. And I think a lot of those songs are great.
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