A Quote by Bill Mollison

A great many film stars perched on unstable ravine edges in the canyon systems of Los Angeles will, like the cemeteries there, eventually slide down to join their unfortunate fellows in the canyon floors, with mud, cars, and embalmed or living film stars in one glorious muddy mass. We should not lend our talents to creating such spectacular catastrophes.
The first concert that my parents took me to was in this canyon in Saudi Arabia called Buttermilk Canyon. You sleep under the stars in the desert, and ex-pats - German, Swiss, Canadian, American - would play classical music that filled the whole canyon.
I don't live in Los Angeles. I work in Los Angeles, and even that - I audition in Los Angeles; I very rarely film in Los Angeles. I don't hang out with producers on my off-hours, so I don't even know what that world is like.
People behave differently to TV stars and film stars; it's to do with the scale of the medium. Film stars get hushed awe, TV stars get slapped on the back. Neither is good for you. Famous people don't hear the word 'no' enough.
There are some actors that are great stars and storytellers, but not necessarily good actors. I'm talking about some - not all - of the people you see in action flms or blockbusters. They're film stars, though not necessarily great actors. And there are those who are great actors, but not necessarily big film stars. Jim Sturgess is both. He's quite obviously a star, the audience likes him, he's a great storyteller and he turned out to be one of the greatest actors I've worked with as well.
I'm from Los Angeles. I grew up on the west side. I went to Pali High, Paul Revere, Country Canyon.
I want to have a great director, and also a great producer and co-stars. And there should be a tight script. After all, regardless of how the film turns out, I must have fun doing the film!
Stupidly, in our industry, producers pay precious money to sign stars whom they might not even use in the film. Producers believe stars make hits; actually it is the script that makes a film successful.
Los Angeles has been great to me, and I have a home there, and I'm so lucky I get to do what I do for a living. But I did not go down to Los Angeles really even with the intention of staying.
The Colorado River did not form the Grand Canyon. The Grand Canyon was formed as the flood went down.
Like probably many people of little education who find themselves, like pop stars or film stars, suddenly lauded by the whole world, it is very difficult if you have not had a mother bringing you up who was quite stern and strict.
There can be nothing in the world more beautiful than the Yosemite, the groves of the giant sequoias and redwoods, the Canyon of the Colorado, the Canyon of the Yellowstone, the Three Tetons; and our people should see to it that they are preserved for their children and their children's children forever, with their majestic beauty all unmarred.
Wish on everything. Pink cars are good, especially old ones. And stars of course, first stars and shooting stars. Planes will do if they are the first light in the sky and look like stars. Wish in tunnels, holding your breath and lifting your feet off the ground. Birthday candles. Baby teeth.
There are many critics who invite me on their show, and I have told them that when my film releases, you will give it one-and-a-half star rating. That's fine. There's no issue because stars will matter when I'm planning to open a five star hotel. When I'm making films, I don't need stars.
We can trace the elements. They were forged in the centers of high-mass stars that went unstable at the ends of their lives, they exploded, scattered their enriched contents across the galaxy, sprinkled into gas clouds that then collapsed and formed stars and planets and life.
Bryce Canyon isn't as famous as the Grand Canyon, but it is just incredible - nothing compares to it.
Upon its debut, The Room was a spectacular bomb, pulling in all of $1,800 during its initial two-week Los Angeles run. It wasn't until the last weekend of the film's short release that the seeds of its eventual cultural salvation were planted. While passing a movie theater, two young film students named Michael Rousselet and Scott Gairdner noticed a sign on the ticket booth that read: NO REFUNDS. Below the sign was this blurb from a review: “Watching this film is like getting stabbed in the head.” They were sold.
This site uses cookies to ensure you get the best experience. More info...
Got it!