A Quote by Bill Moyers

I'm the front man, I'm the man on camera, but there's a whole team beyond me. — © Bill Moyers
I'm the front man, I'm the man on camera, but there's a whole team beyond me.
No matter how vast, how total, the failure of man here on earth, the work of man will be resumed elsewhere. War leaders talk of resuming operations on this front and that, but man's front embraces the whole universe.
The camera cannot leave the man, but the man can leave the camera. It's in the style of documentary where you make an agreement between a camera and a man and say, "I'm going to film you now."
I don't like to put too much effort into things. I find that once you get involved with special effects it is no longer about what is happening in front of the camera and I really want to concentrate on what is happening in front of the camera, like the man apparently peeing on the surface of the screen.
I was always in front of the camera. My mom was really passionate about photography - I have pictures of my whole life. I've always just been in front of my mom's camera, and it's always comfortable to me.
I was always in front of the camera. My mom was really passionate about photography - I have pictures of my whole life. I've always just been in front of my mom's camera and it's always comfortable to me.
I think I've found a purpose in acting; it's something I truly love and truly enjoy. It makes me happy. It makes me understand more about life, in front of the camera, than what I'm living beyond the camera.
When a shooting takes place, it is not just us, it is an opportunity for many bread earners - the light man, the boom man, the sound staff, the people who work to erect the sets, the camera team.
No one knows who I am and no-one cares. I could jump in front of a camera man and he'd just tell me to get out of the way.
For me, Picasso was the ultimate man. He taught me that photography is all about how you approach an image: what you do and what you don't do. He inspired me to go beyond what you think is in front of you.
Valkyrie patted Fletcher’s arm. “Don’t worry,” she said. “If the bad man comes, I’ll protect you.” “If the bad man comes,” Fletcher responded, “I’ll bravely give out a high-pitched scream to distract him. I may even bravely faint, to give him a false sense of security. That will be your signal to strike.” “We make a great team.” “Just don’t forget to stand in front of me the whole time,” he said.
Being on set in front of the camera, it makes me happy and extremely grateful whenever I'm in front of the camera.
I was named first-team Jersey Shore by the Asbury Park Press, the paper I used to deliver as a young boy. I got to Houston and Coach Williams invited me to walk on the golf team. I was the 18th man on an 18-man golf team.
I love the camera; there's something very special and sensual about it, and I have a tendency to call it a he, like it was a man. But, unlike a man, a camera is accepting of everything I do.
You come from the college, you're the man. I was second-team All-American. I got drafted by Toronto, but they just took me because I was the best man on the board. They didn't need me. I didn't get a whole lot of help or guidance. I wasn't playing. I couldn't get reps in practice. And it's big-boy basketball. Grown men.
All I kept thinking about was, "Man, he's so relaxed onstage! I'm never going to be that relaxed! I'm clearly not meant to be in front of the camera. I'm really not meant for anything but behind the camera."
I said to myself, 'the champion of the whole world can whoop every man in Russia, every man in America, every man in China, every man in Japan, every man in Europe - every man in the whole world'.It sounds big, didn't it? So I kept working until I did it.
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