A Quote by Bill Mumy
I think 'Lost in Space' certainly shifted from being an ensemble adventure series about a family facing the unknown alien environment to this trio of comedians - Dr. Smith, the Robot, and Will Robinson being the straight guy. It definitely changed its tone over the three seasons and 84 episodes we did.
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I'm going to go do a Netflix series. It's straight-to-series, 10 episodes, probably go for three seasons. I'm going to direct the pilot and hopefully the last episode of the first season. The show is 'Seven Seconds.'
I had my guitar at the set of 'Lost in Space' every day. I was the only one in the cast who had a stereo in his dressing room. So while I was in school or when I was in there working with Dr. Smith and the robot, half the rest of the cast was in my trailer listening to their records that they would bring.
I've never been a straight guy, but it certainly seems that being one is exhausting. Every part of a straight guy's day is somehow related to him letting people know that he's straight.
There is a point when facing the unknown stops being a longed-for adventure and becomes a terrifying reality.
The hardest thing about doing a series and having it stick is that you've never performed with each other, and the pilot is kind of a dress rehearsal, and you don't know the tone until two or three episodes in.
People have outs for numbers of episodes, usually, written into their contract. Some studios will say, "We're going to let Julia Louis-Dreyfus off of Veep to do three episodes, but not three episodes of the same show." But, that's all business affairs, so I'm talking over my head here.
Here's a near-future space adventure that's as frightening as it is smart. Jeremy Robinson's BENEATH is packed with believable tech, a page-turning story and an alien intelligence so creepy, you'll pray NASA never makes it past the moon.
When you are on the court and a guy shanks a ball off the line, and I think it's the end of the world, then I think about my brother being in a bed for three straight weeks not able to breathe on his own, and it doesn't seem as bad.
Certainly 'Survivors,' when we put that series out, the second series dipped below 5 million for one of the episodes - all of a sudden, there's no recommission, and I think that's dreadful.
I have been in the series for over 3 years - 3 series. There will be a fourth series next year which of course I won't be in because I'm now dead. So in total I appeared in 25 episodes.
What I've learned in my life, it's a very interesting social study for me, to go back and forth between being the guy at home and being the guy on the road and being the guy in studio and being the guy in the interview. The environment around you has so much to do with your character, and when I'm home, my character really changes quite a bit.
[ 1600 Penn] is an ensemble comedy about a family. It just happens to utilize the fact that my character is now being forced into this world as a jumping off point. But, in no way is it the crux of the series. It's simply an introduction to the world.
I think my first impression (of Bix Beiderbecke) was the lasting one. I remember very clearly thinking, 'Where, what planet, did this guy come from? Is he from outer space?' I'd never heard anything like the way he played-not in Chicago, no place. The tone-he had this wonderful, ringing cornet tone. He could have played in a symphony orchestra with that tone. But also the intervals he played, the figures-whatever the hell he did. There was a refinement about his playing. You know, in those days I played a little trumpet, and I could play all the solos from his records, by heart.
So you can see what is happening in the New Testament. Worship is being significantly deinstitutionalized, delocalized, de-externalized. The whole thrust is being taken off of ceremony and seasons and places and forms and is being shifted to what is happening in the heart - not just on Sunday but every day and all the time in all of life.
I'm a straight-talking person. Did I make mistakes, absolutely. But I enjoy being a straight-up guy today and in the future.
In sixth grade I had a band called The Blueberry Waterfall. I had borrowed a guy's Fender Jaguar and Boss Tone Fuzz, which you plugged straight into a Blackface Twin. It was a little power trio - we were actually pretty good for our age.
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