A Quote by Bill Murray
And I say, 'Hey, Lama, hey, how about a little something, you know, for the effort, you know.' And he says, 'Oh, uh, there won't be any money. But when you die, on your deathbed, you will receive total consciousness.' So I got that goin' for me, which is nice.
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We used to say I don't care if I never have any money As long as I have my sweet honey and a shack in the woodland Now we say I don't care if I don't have money, but it's not true We can't live without money, no, because we don't want to We want one of those and two of those, and oh that one looks neat, wrap it up Put it on my MasterCard. Put it on my Visa And I sing it now, hey hey, hey hey, who woulda thunk it Hey hey, hey hey, who woulda thunk it.
Hi, Tad!' she said. 'Hi, Jeff! Hey, I'm not interrupting anything, am I?' 'Uh, no,' I said. 'We were just...I mean, Tad was...uh, nope.' 'So what were you guys talking about?' 'Well,' I said, 'it's very complicated. We were discussing...umm...hats. You know, hats. Like, the head kind.' 'There's another kind?' Lindsey asked. 'Hey, Jeff?' Tad said. 'If your mom needs any evidence to prove that you're retarded, let me know. I'd be glad to record you talking to Lindsey. I'm pretty sure that would do the trick.
I'm not into, Hey, what's your sign? or any of that. But I don't know how I got here, and I don't know how I write songs. I don't know why I breathe.
Every day when I'm thinking about something or want to do something, I say, "Hey, can we shoot some stuff?" or "Hey, can you come with me to the grocery store?" or "Hey, can you..." Just so I can share my personality and who I am, and also use it as a platform to do bigger, more important things.
My parents never had any money. It was cash flow. It flows, and you got your fingers in it for a little while, and it flows away. That's all I know about money. And I don't know, it flows and it's a river, but you can never, ever keep it. As an artist, I can't keep it. But hey, a man who dies with a cent in the bank is a foolish man. So I guess I'm going against the conservators. I'm a spendthrift.
I didn't know how to do a press release, so I'd call the local Assembly member and say, 'Hey, can you fax me one of your press releases?' 'Which one?' 'Any one.'
The thing I get the most [in public] is, 'Hey, Eugene.' You know what I mean? There's no catch phrase like: 'What a week I'm having.' People will actually just say, 'Hey, Eugene' or 'Hi, Eugene.' It's a great thing; they feel that comfortable calling me by my first name. It's not being forward. It depends how you say it. I think they can't help themselves. They think they know me. I find it gratifying.
He gives me a kiss that barely touches my lips – it means nothing or everything. After he’s gone, I think, Happy birthday to me. Jack says, ‘That was the guy?’ ‘That was him.’ Jake shakes his head. ‘What?’ ‘He’s not for you,’ he says. I say, ‘How do you know?’ but what I mean is, How do you know? ‘He’s like Ashley Wilkes,’ he says. ‘Any one of these guys is Rhett-ier than he is.’ Again, I ask my benignly inflected, ‘How do you know?’ ‘How do I know?’ he says, tackling me into a bear hug. ‘How do I know? I know, that’s how I know.
Sometimes I want to just pull the off switch, but you can't because if you go outside, you have to give people your all. You can't say, 'Oh, you know what? I'm not feeling good today.' No. No one's trying to hear that. When a woman comes up to you and says, 'Hey, my daughter's your biggest fan. Can we have a picture?' - you can't say no.
Sometimes I want to just pull the off switch, but you can't because if you go outside, you have to give people your all. You can't say, 'Oh, you know what? I'm not feeling good today.' No. No one's trying to hear that. When a woman comes up to you and says, 'Hey, my daughter's your biggest fan. Can we have a picture?' You can't say no.
Oh, I know: If you're fat, let's not blame you, let's sue McDonalds! Oh, for cryin' out loud, hey, if you smoke, not your fault, it's the tobacco company's fault! Hey, if you shoot somebody, not your fault, let's blame the gun industry!
If I got a superpower I wouldn't say, oh, I got to get a costume and put on a mask. I would say hey, I can do something better than other people. How can I turn it into a buck?
"I'm so sorry," I whisper. I lean forward and kiss him. His eyelashes flutter and he looks at me through a haze of opiates. "Hey, Catnip." "Hey, Gale," I say. "Thought you'd be gone by now," he says. My choices are simple. I can die like a quarry in the woods or I can die here beside Gale. "I'm not going anywhere. I'm going to stay right here and cause all kinds of trouble." "Me, too," Gale says. He just manages a smile before the drugs pull him back under.
If I'm, like, in a grocery store, I don't get recognized that much, but it's like, you know, when someone comes up to me and says, 'Hey, I'm a big 'Pushing Daisies' fan,' you just feel like, 'Oh, wow - you're the one who watched it. So nice to meet you.'
Sometimes directors will hire you and say, 'Oh, we love your work.' And then they start to tell you how to do it. I say, 'Hey, man, back off. You hired me to do it. Let me do it.'
Hey, what are you doing, little one? You want more? You are just too much . . . you . . . oh, no . . . not the quivering lip . . . oh, no.” Nalla let out a giggle. “Outrageous! You want more, and you know you’re going to get what you want because of The Lip. Jeez, you’ve got your father wrapped around your little finger, don’t you.
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