A Quote by Bill Nighy

I have no memory, any at all, of actually performing the play, no recall in terms of the lines. I can't tell you any line from any play I've ever done. — © Bill Nighy
I have no memory, any at all, of actually performing the play, no recall in terms of the lines. I can't tell you any line from any play I've ever done.
To succeed in any undertaking, any art or any trade or any profession, simply keep it ever persistently fixed in mind as an aim, and then study to make all effort toward it play or recreation. The moment it becomes hard work, we are not advancing.
I'll play any man from any land any game he can name for any amount he can count…Provided I like it!
I never know who's influencing me at any time. I mean, I can take a play by Brecht and adapt it, I'm consciously adapting that play, or, as I've done with the Greek classics, Euripides and Oedipus, and I'm consciously adapting that play. Whether it influences me or not, I think it's the critics, the analysts who have to decide that. Me, I don't feel that I'm under the influence of any such sources.
Maybe I just have a different line than other people in terms of where my personal emotional space becomes public and private. There's almost nothing I wouldn't tell somebody about my quote - unquote "personal life" if they asked in any conversation. There's nothing I've done or said that's that great. I don't see anything I've done to be that different than any other normal person.
Any older actor knows the last great mountain to climb is to play King Lear and now, if I ever play Lear, I will have done the pre-preparation because I had to go into the play and read it over and over again.
In using the terms play and playfulness, I do not intend to suggest any lack of seriousness; quite the contrary. Anyone who has watched children, or adults, at play will recognize that there is no contradiction between play and seriousness, and that some forms of play induce a measure of grave concentration not so readily called forth by work.
I studiously avoid any academic dissections of the play and any kind of previous experience of playing. For me, it's all in the play.
I'm a natural piano player. So all the practicing I do at this point is in my head. If I don't play for a year, my chops aren't going to get any worse. I've spent my time playing scales, and I don't necessarily want to play any faster than I play. So everything I do at this point is more philosophical.
Any coach, any team in the NFL, if they had Peyton Manning healthy and ready to play, I think we all know who is going to play in the game.
I play bass. I play a bit of guitar. I've never been to a lesson, so my theory of music is non-existent in any instrument, but we always had guitars around. My dad taught me to play drums for 'Love Actually,' and I still play drums now. But I'm not a 'drummer.' I'm not a 'guitarist.' I'm trying to be a bassist.
Bitcoin is probably the most portable money in the history of the world. I can download any amount onto a thumb drive and walk across any border without any problems. Or, I could commit to memory a line of code that I can then input into the network and save or spend Bitcoins.
Each religion is a brave guess at the authorship of Hamlet. Yet, as far as the play goes, does it make any difference whether Shakespeare or Bacon wrote it? Would it make any difference to the actors if their parts happened out of nothingness, if they found themselves acting on the stage because of some gross and unpardonable accident? Would it make any difference if the playwright gave them the lines or whether they composed them themselves, so long as the lines were properly spoken? Would it make any difference to the characters if 'A Midsummer Night's Dream' was really a dream?
I did not have any private meetings nor do I recall any conversations with any Russian officials at the Mayflower Hotel.
Like it or not, I've come to appreciate soccer. Any kid can play, which fits with the inclusive agenda of progressive schools. Although the corollary to 'any kid can play' is that every kid must play because there is an iron grip to the warm hug of progressive inclusionism.
That doctrine of peace at any price has done more mischief than any I can well recall that have been afloat in this country. It has occasioned more wars than any of the most ruthless conquerors. It has disturbed and nearly destroyed that political equilibrium so necessary to the liberties and the welfare of the world.
The books that charmed us in youth recall the delight ever afterwards; we are hardly persuaded there are any like them, any deserving our equal affections.
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