A Quote by Bill Nighy
I'm just aware of what I'm thinking and feeling but I do obviously have to get that to the back of the auditorium. So there are things like projection and filling the room, and not dropping the ends of lines - technical things which are important, but I don't think they change the way I feel in a scene.
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What is a scene? a) A scene starts and ends in one place at one time (the Aristotelian unities of time and place-this stuff goes waaaayyyy back). b) A scene starts in one place emotionally and ends in another place emotionally. Starts angry, ends embarrassed. Starts lovestruck, ends disgusted. c) Something happens in a scene, whereby the character cannot go back to the way things were before. Make sure to finish a scene before you go on to the next. Make something happen.
You get really scrappy when you're making things for zero dollars, and you just have to keep thinking like that. It's not like, 'Oh, we now have a little bit more money, let's do things differently.' If you just keep boiling it down to the simplest possible way to make it, I think that always ends up being the best.
I think the goal is to make a well written scene seem like it's improvised and/or to come up with things that you find in the room that you couldn't have known until you get into the real situation, just try to improve things as you go along.
In New York, I'm playing in a church, solo, doing instrumental stuff. There's talk of doing more, like, installation-type things with some of the specimen horns I've played through. Just filling a room in a museum with these horn-speaker sculptures and then making loops that run all day, and you walk around the room and sort of mix the sound by where you stand. That's all way in the future, but that kind of stuff is a different way of thinking about performing.
I don't think it's an ethical or moral issue, or even that people are stupid, but I do feel like as a culture things are out of balance, perverted, and inverted. Things that are ridiculous are worshipped, and things that are important are ridiculed. I think that's something worth thinking about.
It's important that the actor doesn't feel like they're working in a vacuum. If the actor is told, 'Oh, it's a secret; just play it this way or that way,' it's a bit patronising. I think you have to bring the actor into your thinking and explain things.
Very few things are totally devoid of any possibility of humor. If you are aware of that possibility and alive to the scene becoming that way, then it just happens naturally. That's what I feel living is like, too. I find a lot of things that make me smile or make me laugh over the course of the day.
When you are thinking something, you have the feeling that the thoughts do nothing except inform you the way things are and then you choose to do something and you do it. That's what people generally assume. But actually, the way you think determines the way you're going to do things. Then you don't notice a result comes back, or you don't see it as a result of what you've done, or even less do you see it as a result of how you were thinking. Is that clear?
I've always had some sort of affinity for the ends of things. It depends on the song, I try to explore it in different ways. Sometimes when I think about death I'm thinking of it as a physical character that can teach you things and sometimes I'm thinking of it in a finite sense and other times I'm just asking questions that I can't answer. I don't really like to state my personal belief, because I change my mind too often, but I imagine something peaceful. Whether it's a rest or another world or some kind of eternity, it doesn't seem like a scary thing.
If you don't like the scene you're in, if you're unhappy, if you're lonely, if you don't feel that things are happening, change your scene. Paint a new backdrop.
I feel the acting conservatory taught me how to be a working actor in the 1700s. We learned stuff like 'to the back of the auditorium, to the back of the auditorium' and the liquid "u." 'The payment is duuue on Tuuuesday.' I also learned how to fence. If anything, when I moved to Los Angeles, I didn't fit in, in any way. I had to do comedy, because I was talking so pretentiously.
There seems to be something in the zeitgeist, and maybe it's a function of - I'm no analyst, nor am I a psychologist - when you look at things and say, What if I could go back and change things? I think we live in a world right now where people are asking those questions a lot. What if we could go back and change what we did? How would we change the way we handled things in the Middle East, and how would we change things with the banking industry, and how would we change economic and educational issues?
When you're in the moment and not over thinking the song is when things tend to really work. You're not so focused on the minutiae. You're focused on the overall feel, and that's the stuff that I get from the demos. First impressions are always the most important. When you start getting into a full-band, democratic context the little things almost immediately get thrown out the window because you don't think they're important.
I can only wonder what astronauts must feel like or something like that when you're really in the space of silence and you are feeling and breathing in a way that you're really aware of your muscle and bone and the breath and the body and the movement and all of those things that just you take for granted in the urban landscape.
But I think writing should be a bit of a struggle. We're not writing things that are going to change the world in big ways. We're writing things that might make people think about people a little bit, but we're not that important. I think a lot of writers think we are incredibly important. I don't feel like that about my fiction. I feel like it's quite a selfish thing at heart. I want to tell a story. I want someone to listen to me. And I love that, but I don't think I deserve the moon on a stick because I do that.
I just try to enjoy the moment and enjoy what's happening. I mean, I want to be conscious of what's going on around me, and be aware of if I can make a change and make things better, which I think is very important.
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