A Quote by Bill Nighy
The job is the same - to attempt to make it sound like you've never said it before and as if it's just occurred to you. And that's the same whether you're on camera or whether you're on stage in a room full of people.
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Each living creature is said to be alive and to be the same individual - as for example someone is said to be the same person from when he is a child until he comes to be an old man. And yet, if he's called the same, that's despite the fact that he's never made up from the same things, but is always being renewed, and losing what he had before, whether it's hair, or flesh, or bones, or blood, in fact the whole body.
Same job, whether it's comedy or drama. Regardless of the weight of the role, I feel like the job is always kind of the same. Who is this person? What's this guy here, and how is he playing with this thing, and what's he trying to say? And what's the volley with all these other people around him?
I'm an actor. Whether I'm on stage, in front of a camera or a microphone, what I do is the same - although with videogames it requires a lot of imagination.
My job stays the same, whether we're acting by candlelight, against a green screen, or on a stage somewhere. Which is just as well, because I really couldn't do anything else.
No matter which way we go, it is no better than any other. It is all the same whether you achieve something or not, have faith or not, just as it is all the same whether you cry or remain silent.
There has been a controversy started of late, much better worth examination, concerning the general foundation of Morals; whether they be derived from Reason, or from Sentiment; whether we attain the knowledge of them by a chain of argument and induction, or by an immediate feeling and finer internal sense; whether, like all sound judgement of truth and falsehood, they should be the same to every rational intelligent being; or whether, like the perception of beauty and deformity, they be founded entirely on the particular fabric and constitution of the human species.
Whether it is good or evil, whether life in itself is pain or pleasure, whether it is uncertain-that it may perhaps be this is not important-but the unity of the world, the coherence of all events, the embracing of the big and the small from the same stream, from the same law of cause, of becoming and dying.
Considering you are pretty much like this the whole time whether you're onstage, whether you're in the van, whether you're eating, whether you're in the hotel room. So everyone has their moments and you kind of learn to respect people's space when they're not in a good mood.
I keep saying, and I've said it to the players, what happens in a dressing room stays in a dressing room, whether that's with me and a player, whether it's two players together, whether it's the coaching staff and the players. I just think it's almost a sacred environment and that trust in that area is unbreakable.
Whether it's animated, whether it's live-action, whether it's Broadway, whether it's television, a musical is a musical is a musical. So, pretty much you approach the songs in pretty much the same way. The difference might be that in a film you have a close up. On stage you don't. So there are more songs on the stage because the songs are kind of the close up.
What's cool is that Oprah is the same person on stage and in front of a camera as she is off stage and behind the scenes. She speaks the same way on camera as she does off camera.
Even if people are all from the same place, there can be very, very different approaches. It's one of the things I'm fascinated by. It's why I like directing. I like to see how different people approach trying to be truthful, on camera or in the theater, and whether you can make them match up.
It's kinda like Hulk Hogan whereas any time Hogan walks into a room, he's got that distinctive look. Everybody, whether you're a wrestling fan or not, you know who he is. Chuck has that same thing. Whether you're an MMA fan or not, he'll walk into a room and everyone goes, 'Oh, that's Chuck Liddell.'
Whether it's a lower or higher budget project, a TV show or a film, the words on the page are the same to me and I approach the work in the same way. My job is to lift the character from the page, whether it's a TV or film script.
Regardless of what I do, whether I write a book or whether I act or whether I host, I'll always do stand-up comedy because those moments, that's what I crave. If I do something funny, and I hear a crowd laugh in that moment, we're all sharing the exact same experience and the exact same feeling.
I would inquire of reasonable persons whether this principle: Matter is naturally wholly incapable of thought, and this other: I think, therefore I am, are in fact the same in the mind of
Descartes, and in that of St. Augustine, who said the same thing twelve hundred years before.
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