A Quote by Bill Nighy

If you ever see me in a social setting wearing any sort of sportswear, then you know I'm in crisis. — © Bill Nighy
If you ever see me in a social setting wearing any sort of sportswear, then you know I'm in crisis.
Social media has dramatically changed the playing field in terms of crisis communications - and any company that does not effectively use social media to take the pulse of its constituents on a constant basis, and know how to communicate with them in a crisis, is breaching its fiduciary responsibilities to its stakeholders.
There has been a banking crisis, a financial crisis, an economic crisis, a social crisis, a geostrategic crisis and an environmental crisis. That's considerable in a country that's used to being protected.
If you're wearing Reebok classics, then you're going through a midlife crisis. I don't want to catch you wearing these in the rave.
I was one of the first practitioners of social engineering as a hacking technique, and today it is my only tool of use, aside from a smartphone - in a purely white hat sort of way. But if you don't trust me, then ask any reasonably competent social engineer.
At every point I am besieged by people who would like me to conform to some social norm of whatever sort of social group they expect me to be a part of. I never have any identification with these social groups.
I really had to come to the conclusion, the sort of humbling conclusion that, guess what, I'm no different than anybody else: I've got to sort of ask for help - not something I ever did, ever. And then part two of that is, like, accept it when it comes, and, you know, believe what people tell me.
In fact, the environmental crisis is related to the crisis of aesthetics, crisis of social cohesion and the crisis of spiritual values.
Dancewear is very different from sportswear. Sportswear doesn't quite suit what we need to do with our bodies, so I'm always fiddling with my clothes in the studio.
We all know of course, that we should never ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever fiddle around in any way with electrical equipment. NEVER.
You know what's dope about social media, the Internet, and stuff in general? It's that you never really realized before how much love you get, and now you can see people around the country wearing your stuff or wearing your face.
I don't know if anyone knows if they're ever any good, but I went to drama school in Scotland, in a classical acting course, and my first year, I remember one of my tutors telling me that I couldn't act, and I should give up and all this sort of thing, and then, they cast me as Romeo in 'Romeo and Juliet.'
I like to feel comfortable in what I'm wearing, so I do wear a lot of sportswear. Not football training stuff, but mostly casual tracksuits and T-shirts.
My ideal setting is I walk from the streets, backstage, and straight onto the stage. Two minutes, and I am on the stage. That way, in my head I have gone from my world and then into a social setting with my friends.
I like to use exercise classes as a way of understanding what people are doing. I'm promiscuous in terms of exercise. You see what people are wearing. You see what people are responding to. You see what the music is they're listening to. An exercise class is social anthropology: what clothes people are wearing, what are the new sneakers.
I know at one point I had bright red hair and I had bracelets from my wrist up to my elbow and I was wearing size 50 pants. I wouldn't wear that today, but I'm not embarrassed about wearing it back then any more.
Some people go off to an ashram or they, you know, have a midlife crisis and buy a sports car. For me, I do 'Hedwig,' and I see it's a midlife crisis maybe, and I see what's next. And it's a good trampoline, maybe, into the next part of my life.
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