A Quote by Bill Nighy
I have nothing against romanticism. I'm all for it. I'm helpless in the face of romance.
Related Quotes
Art has a double visage: it looks before and after. Romance is its forward-looking face. The germ of growth is in romanticism. Formalism, on the other hand, consolidates tradition; gleans what has been gained and makes it facile to the hand or the mind; economizes the energy of genius.
As a romance novelist, I have a rather skewed view of babies. You see, they don't typically fit into the classic structure of the romance novel - romance is about two people finding each other and falling in love against insurmountable odds. Babies... well... babies are complicated.
It's one thing to be helpless as one tries to lace a corset or to mount an elephant, quite another to be helpless as a bandit pushes a black steel knife against the flesh of your throat while his brother comes to join him.
Romanticism was more than merely an alternative to a sterile classicism; romanticism made possible, especially in art, a great expansion of the human consciousness.
I have nothing against romance. I believe that we must hold on to the right to dream and to be romantic. But an Indian village is not something that I would romanticize that easily.
There is no such thing as romance in our day, women have become too brilliant; nothing spoils a romance so much as a sense of humor in the woman.
The modern clercs have created in so-called cultivated society a positive romanticism of harshness. The have also created a romanticism of contempt.
Romance takes place in the middle distance. Romance is looking in at yourself through a window clouded with dew. Romance means leaving things out: where life grunts and shuffles, romance only sighs.
Life is passion, celebration in the face of chaos, light in the face of darkness, hope in the face of despair, and joy, for the universe without life feels nothing, is nothing, and does nothing except slowly die.
What would you prefer? 'What did the Count eat today, children? One helpless villager, two helpless villagers, three helpless villagers….
Romance should never begin with sentiment. It should begin with science and end with a settlement. Nothing spoils romance so much as a sense of humor in the woman. When one is in love one always begins by deceiving oneself, and one always ends by deceiving others. This is what the world calls a romance.
Liberals and leftists are not wrong in describing romanticism as reactionary, because it did indeed become that after 1810. The problem is that they make that description true of the movement as a whole, as if romanticism were essentially reactionary.
Most of the pop videos I've seen that have any male/female interaction are usually centered around a romance - and that's great, I am all for romance. But let's face it, there are a lot of other sexualities and identities that are well-deserving of some shiny pop video love.
I had been struck by the analogy between neurosis and romanticism. Romanticism was truly a parallel to neurosis. It demanded of reality an illusory world, love, an absolute which it could never obtain, and thus destroyed itself by the dream.
Now the basic impulse behind existentialism is optimistic, very much like the impulse behind all science. Existentialism is romanticism, and romanticism is the feeling that man is not the mere he has always taken himself for. Romanticism began as a tremendous surge of optimism about the stature of man. Its aim - like that of science - was to raise man above the muddled feelings and impulses of his everyday humanity, and to make him a god-like observer of human existence.
I hated myself and the world because I had failed to face and accept the limitations of my self and of life. In literature this refusal is called romanticism; in psychology, neurosis.
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