A Quote by Bill Nighy
When you have a family, or even when you're just seeing a girl, it's difficult to be skint.
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I just feel like it's fascinating to me just watching my own family, seeing my cousins have children here, seeing the generations go on, and seeing how people are still very connected to their home, but are actually, of course, Americans too. That sort of a hybrided sense of self is something that I yearn to see more of expressed.
I'm pretty much a good Catholic girl at heart and I believe in family. I also have a basic belief that God takes care of me. I believe in prayer, even though I'm not that religious. I just have that foundation from my family. I mean when you think that you're just a human being and one of God's creatures, you can't take anything that seriously.
I was seeing this girl and she wanted to get more serious. But I wasn't ready to, I had just gotten out of a difficult relationship before that. So I said to her, 'Listen, you have to understand something. Relationships are like eyebrows. It's better when there's a space between them.' And that's coming from a Greek guy.
You see, where I'm from, fighting is simply not a 'girl's thing.' In Umuarama, I grew up playing football, which to my family was also not a girl's thing, to be honest. Playing football was my biggest passion. I wanted to be on TV, to be just like Marta. I even had a knack for it.
Boy meets girl. Boy marries girl. Boy and girl angst over which family they visit at Thanksgiving and which one in December and whether or not it's best to serve turkey or goose for the family feast. When first faced with the reality that the family you married into does things differently, the warmth of tradition can take on a chill.
It's people who look like me, just seeing representation of everyone. I didn't get that when I was young. I only saw one black girl that was on a Disney show, that was known for being the sassy, coocoo, that type of girl.
I've become this voice for a millennial generation of feminism, which is awesome, but at the same time it's complicated. We all know I'm a girl, I'm a woman, but it's difficult to figure out how to talk about it and express how important it is without beating it with a hammer and having it be, "So you're a girl in music! So you're a girl in music!" Yes, I'm a girl in music - can we just talk about something else?
I just invited close friends and family, the usual suspects whose opinion I value but who I know will enjoy the film [Before I Go To Sleep]. I don't know how difficult it is for them to suspend their disbelief because they obviously know me and what they're seeing is not me.
If she did see, I hoped she' be amazed. Amazed and thankful, because without even asking, she'd received a genuine autograph from a genuine girl from Atlanta. Not just any girl, but a girl who was, frankly, a pretty big deal. A girl who was me.
I'm working class. Not because my family have always been skint or because I'm from the grim north, but because I am from a class of people who believe in work. In paying their way.
Basically I see that song as a bunch of images which I threw together to represent the fact that I was seeing one girl and then I started seeing another, and it was just the guilt in between those two periods. The ballads I've written since have been about things that really hurt me.
Beneath the makeup & behind the smile I'm just the girl who wishes for the world. A wise girl kisses, but doesn't love. Listens but dosen't believe. And leaves before she is left. If you can make a girl laugh - you can make her do anything. It's often just enough to be with someone. I don't need to touch them. Not even talk. A feeling passes between you both. You're not alone.
For every nineteenth-century middle-class family that protected its wife and child within the family circle, there was an Irish ora German girl scrubbing floors in that home, a Welsh boy mining coal to keep the home-baked goodies warm, a black girl doing the family laundry, a black mother and child picking cotton to be made into clothes for the family, and a Jewish or an Italian daughter in a sweatshop making "ladies" dresses or artificial flowers for the family to purchase.
Seeing movies about mental illness, a lot of falseness has leapt out at me over the years... So I just focused on what I remembered, the real experience of seeing somebody like that. And as an adult, I’ve had family members who are bipolar, so I’ve seen it again.
I love actors; I love seeing great performances. I just love that, when I'm seeing a performance, that inside me, I just go, 'Oh my God, how are you doing that? Where is that coming from?' Where you see an actor do something, and I can't even locate it in my own body.
It's difficult losing, but it's even more difficult when you didn't make a shot. I could see the ball just didn't go your way on an out-of-bounds play or something like that, but when you're just not making them, it's frustrating.
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