A Quote by Bill Nunn
If you want to be an actor, you should just get out there and do it. I don't go for the approach of first getting photos and an agent. I think you should start with the work, and the other stuff will follow. As with 'opportunity knocks,' you have to be ready.
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They say when opportunity knocks you should let it in and invite it to sit at your table. F*** that -- when opportunity knocks, you should take it captive. Beat that s*** down. I've got opportunity tied to a chair in my basement with a ball gag in its mouth. Opportunity ain't even thinking about leaving my house. If you keep quiet for a second, you'll hear it whining.
I look at the N.B.A. as a job, a great job to have, so I think, for me, I would have loved the opportunity to go to the N.B.A. out of high school. If you're not ready, you're not ready. If you are ready, I think you should be able to go.
Getting ready to wrestle is like getting ready for a car crash. Getting ready to work with Brock Lesnar is like knowing you're going to get hit by a bus and the bus is going to back over you. If I'm going to work 'WrestleMania,' 16 weeks out I have to start training like I'm Mayweather getting ready for a fight.
People always tell me, 'You should do drama. You should do drama.' Even when I first got an agent, they were like, 'We want to send you out to be dramatic.' And I'm like, 'No. I'm a comedian. I'm funny. I want to do funny stuff.'
People say if you keep making work and keep putting it out, better things will come. I think artists should never forget that. I think that's what you have to be committed to if you're an artist, that's where the good feelings come from. It's so easy to get caught up in other stuff, like the business part of it. If you just have to be aware, just keep putting it out there.
You have to appreciate the spiritual component of having an opportunity to do something as wondrous as writing. You should be practical and smart and you should have a good agent and you should work really, really hard. But you should also be filled with awe and gratitude about this amazing way to be in the world.
As a producer, sitting on the other side of the desk, I have never once had an agent go out on a limb for his client and fight for him. I've never heard one say, 'No, just a minute! This is the actor you should use.' They will always say, 'You don't like him? I've got somebody else.' They're totally spineless.
Nowadays, photographers start out with ideas, and their photos become the expression of an idea. To my way of thinking, a photo should not depend on ideas, should go beyond ideas.
Some say opportunity knocks only once, that is not true. Opportunity knocks all the time, but you have to be ready for it. If the chance comes, you must have the equipment to take advantage of it.
Drama school can't make you a brilliant actor, but you can do stuff for three years - you're not going to be fired. You should just go for it all, even the stuff you think is codswallop.
When I get ready to go out, it's half hour and we're out of the door. I don't want to waste time getting ready: I want to go and have fun.
There's plenty of examples of films where they're greenlit to move forward, and they want to get X actor. And they don't get X actor, so they go with Y, and it doesn't turn out to be as good of a movie as it should have been.
I think you should do rehearsal and work at it, but when the camera rolls, you should be ready. Try to make it good the first time.
I should study Nature's laws in all their crossings and unions; I should follow magnetic streams to their source and follow the shores of our magnetic oceans. I should go among the rays of the aurora, and follow them to their beginnings, and study their dealings and communications with other powers and expressions of matter.
You have to believe in yourself and always strive for the best. Whether that is getting the best actor, the most talented cinematographer, or the best location for your story, you have to have the hunger to want it and be willing to do what it takes to get it. A filmmaker should never be satisfied with their work. There should always be something that they want to improve on.
[As an actor] I have ideas, but things should always be fluid. You should always be ready to follow an instinct. Something might reveal itself on the day.
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