A Quote by Bill O'Reilly

The Denver Post has actually hired an editor to promote pot. — © Bill O'Reilly
The Denver Post has actually hired an editor to promote pot.
My husband is an editor, and in fact he was the first person who hired me as an assistant editor. Then we fell in love and the rest was history.
One of the things I like about publishing is that you don't promote the editor - you promote the book and the author.
I always wanted to help people. I graduated from college and applied to a couple of police departments, Omaha and Denver, because I liked Denver a lot. It turns out they liked me and accepted me right away. I got hired both places, but I wanted to try fighting.
I'm so absolutely pro-Denver. I wrote a fake hip-hop song about Denver. I've been claiming Denver. Part of the joke of the song is nobody was really claiming Denver - no rappers, no comedians.
I'd actually argue that the best thing to happen to the 'Washington Post' was hiring Marty Baron, maybe the greatest newspaper editor of his generation.
Two opposite and instructive figures in U.S. journalism during the Trump years are Gerard Baker, editor of the Wall Street Journal, and Martin Baron, editor of the Washington Post.
What makes a good editor is staying the hell out of the way as much as possible. ... If you're a DC or Marvel or Dark Horse or BOOM! editor who's assigning work, then if you did your job properly to begin with, then the people you've hired can be trusted to do what they do without excessive meddling. The ideal situation you're shooting for as an editor is to groom a collaborative creative team to the point where their work sails effortlessly through production and the most you have to do is fix the spelling and the commas.
1968 in Paris renewed my options. There was suddenly a desire of inventing new things, and I while I was working as an editor, the assistant editor thought I had a gift, and when he shot his own film, he hired me as his assistant camera, and I trained myself to do the light for him.
One of the good things is the relationship between director and editor used to be more contentious. Studios used to leave directors alone more during the post production process and now they're clamoring to get in. So, the director and the editor end up teaming up sort of against the studio to fight what they're doing and you lose the creative tension that you used to have between an editor and a director.
Which editor? I can't think of one editor I worked with as an editor. The various companies did have editors but we always acted as our own editor, so the question has no answer.
I'm inspired to post a lot of positive messages on my social media because, growing up, I felt as though I needed somebody that looked like me in the limelight or in entertainment to promote being different and promote accepting your differences.
No foundation that I am aware of has hired ex-journalists to promote a thoroughgoing inquiry.
The more shows that are produced, the more writers are hired, producers are hired, actors are hired, directors are hired, it means the more people will get employed. It's better for the economy. It's a fantastic thing.
After a series of jobs that I prefer not to recall, I was hired in the early eighties as fashion editor of 'New York' magazine.
I think a lot of people have the idea of an editor being someone who comes in like a dictator, and says, "You can't have that scene." And it never is like that - or perhaps some editors are like that and they're assholes, and they're not good editors. A good editor actually says, "I respect you" and they understand that you have a vision and they're actually trying to help you realize it.
I wasn't hired to be a moral judge. I wasn't hired to be a preacher or an evangelist. I'm hired to apply the law.
This site uses cookies to ensure you get the best experience. More info...
Got it!