A Quote by Bill O'Reilly

My inspiration comes from that and so I wrote ‘Killing Jesus,’ because I think I was directed to write that. — © Bill O'Reilly
My inspiration comes from that and so I wrote ‘Killing Jesus,’ because I think I was directed to write that.
One night, I just woke up and I went, 'Killing Jesus.' And I believe, because I'm a Catholic, that comes from the Holy Spirit. My inspiration comes from that. And so I wrote 'Killing Jesus' because I think I was directed to write that.
Well, I think that when you direct a movie or write it. And in the case of the two movies I did, I wrote and directed, they occupy a special place for you.
When I wrote my first film and then directed it and I looked at it for the first time on what's called an assembly, you look at this movie which is every scene you wrote, every line of dialogue you wrote and you want to kill yourself the minute you see it. It's like, 'How did I write something so horrible?'
Someone once asked Somerset Maughham if he wrote on a schedule or only when struck by inspiration. "I write only when inspiration strikes," he replied. "Fortunately it strikes every morning at nine o'clock sharp.
I think it's silly for anyone to think you could write under the influence, but if they'd like to think that, I'd like to keep the legend alive. Maybe I was under the influence when I wrote Jesus' Son and I just didn't know it.
Inspiration means that you don't have to figure things out, or think about them. Ideas and answers pop into your head and the energy carries you forward, if you allow it. Planning. . . is a way of ritually killing inspiration, which transcends the need for planning.
What's funny about Jesus' Son is that I never even wrote that book, I just wrote it down. I would tell these stories and people would say, You should write these things down.
When inspiration comes life is lived in the moment and peace descends. When inspiration leaves thoughts turn to violently killing time
I'm a dramatist, so I really always wrote and directed at the same time because when I wrote something, I always put it on its feet. So I'm in love with actors; I always loved actors.
I don't really write any of my raps down. The same, Kanye don't write any of his raps down. Common. It's easy that way. For me, personally, I figure I will lose some of the inspiration in the time of me writing it down, or I'll say it a certain way because I wrote it a certain way.
Aaron Sorkin wrote me one of the best female roles on television, I think. He's a wonderful writer for all people. If he chooses to write, hopefully he'll write something that involves more women next time, because I would love to do it.
I produced and directed a movie a couple years ago that won some awards that Samuel Goldwyn released called 'The Last Good Time'. I wrote, produced and directed it, but I wasn't in it.
I think it's our job to write about what we're going through at the moment, and being 41, I'm not going to write about the same things I wrote about at 20. I don't think artists should be farmed out to pasture just because they're in rock n' roll.
'Halo' I wrote with my grandpa in his nursing home. When I went to visit him, he'd often comment on my halo. But of course, I couldn't see. And he always - he had pictures of Jesus with these beautiful halos. And so I asked him if he'd write a song with me about Jesus' halo.
I write because I have an innate need to. I write because I can't do normal work. I write because I want to read books like the ones I write. I write because I am angry at everyone. I write because I love sitting in a room all day writing. I write because I can partake of real life only by changing it.
I think there's much more privileging of the new in art. I think people want to think they privilege the new in writing, but I agree with Virginia Woolf. She wrote a great essay called "Craftsmanship" about how difficult it is to use new words. It's really hard, but you see them coming in because obviously, if you're going to write... I mean, even to write "cell phone" in a novel - it's so boring.
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