A Quote by Bill Paxton

It's become very popular in contemporary films to have the twist ending. — © Bill Paxton
It's become very popular in contemporary films to have the twist ending.
Schools of science and physics replacing each other at a faster and faster rate. Just the nature of our world is constant revision, constant...negation of previous beliefs, and so...the whole world is a twist ending. Every week is a twist ending.
Richard Donner made great movies. Seminal movies. The Academy, though, and we have to be careful here, should recognize popular films. Popular films are what make it all work. There was a time when popular movies were commercial movies, and they were good movies, and they had to be good movies. There was no segregation between good independent films and popular movies.
Personally, I prefer contemporary films, but the market calls for more period choices, especially since China opened up a cinema market in Hong Kong. There's a lot of restriction for contemporary films simply because of subject matter.
If you are not progressing along the true way, a slight twist in the mind can become a major twist. This must be pondered well.
You see it in the many bouncing clothes that are not just pleats. To make them, two or three people twist them - twist, twist, twist the pleats, sometimes three or four persons twist together and put it all in the machine to cook it.
I like independent films... European films. I do go and see popular films as well because my kids force me.
I've become convinced that Los Angeles is going to become the next contemporary art capital - no other city has more contemporary gallery space than Los Angeles. We've come into our own, finally.
I was never a fanatical movie person. There are many popular films I absolutely love like anyone else. Having said that, I don't have time to go to the movies very much. I work a lot of different things, I'm always busy. But I'm always happy to see a popular movie.
One of the main things when you get notes from a studio is they don't want anyone to be confused ever, everything has got to be so obvious at all times unless it's a twist ending.
Journeys become very good metaphors. They always have the character put into circumstances that reveal him. If I had based my characters in New York and had them just sitting and thinking about life, it would be like what contemporary U.S. fiction is about. That is very heavy, literally, for me. It doesn't become mainstream enough because the pages don't turn themselves.
I made films for soaps and I was the Coca-Cola girl for England. I did a lot popular films, too.
As part of modeling, I have acted in the advertisement films of popular brands. Then I got some offers from films.
Very few movies remain in public memory as landmark films, and I want to see whether '3 Idiots' will be up there with some of the wonderful films that have come out of this country... Hopefully, we'll come to know in a few years whether it can become one of the great films.
Very few movies remain in public memory as landmark films and I want to see whether 3 Idiots will be up there with some of the wonderful films that have come out of this country...Hopefully, we'll come to know in a few years whether it can become one of the great films.
The pop world is popular, and it's about what the people want and connecting to the masses, whereas opera, although it was once popular - and I still believe it can be - it has become very elitist and intellectual, but that certainly doesn't sell tickets. It's a struggle, but I've always embraced struggle and thrived off of it, so it's the way my life needs to go.
The Twist was a guided missile, launched from the ghetto into the very heart of suburbia. The Twist succeeded, as politics, religion, and law could never do, in writing in the heart and soul what the Supreme Court could only write on the books.
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