A Quote by Bill Peet

I always begin my stories as experiments - on large yellow tablets - a mixture of writing and sketching. — © Bill Peet
I always begin my stories as experiments - on large yellow tablets - a mixture of writing and sketching.
I have met bright students in computer science who have never seen the source code of a large program. They may be good at writing small programs, but they can't begin to learn the different skills of writing large ones if they can't see how others have done it.
I always craft my words to the point where I think and hope they're perfect before I ever begin sketching.
Reading good books is one distraction that will help you become a better writer. And writing - that's the thing - writing is what will really make you a better writer. Write bad stories until you begin to write so-so stories, which might, if you keep at it, turn to writing good stories.
What most experimenters take for granted before they begin their experiments is infinitely more interesting than any results to which their experiments lead.
I have so much music that I do. Just like how a visual artist is always sketching something but they might not share it, I'm always writing songs or coming up with melodic lines on piano or guitar. It's therapy. It's always happening.
Fame stole my yellow. Yellow is the color you get when you're real and brutally honest. Yellow is with my kids[...]The bundle of bright yellow warming my core, formerly frozen and uninhabitable[...]They got yellow from me, and I felt yellow giving it to them and it was all good[...]So, why am I leaving my show? It took my yellow. I wanted it back. Without it I can't live. The gray kills me.
Experiments with the "as if" of fiction are often more lively in poetry and criticism and other modes of writing than in weak short stories or novels.
I'm just writing, writing, writing. I keep these tablets on me until I'm inspired to go back in and make the music. I never take a break from my pen, because I pride myself on that.
I'm always writing something. There's always some structure sitting around someplace. There's always things on the computer, things scratched on score paper, legal tablets full of lyrics. It's never not buzzing around me all the time. I'm always doing it.
On July 26, 1916, I announced to all my friends in America that from now on I resolved to write no more poems in the classical language, and to begin my experiments in writing poetry in the so-called vulgar tongue of the people.
You learn by writing short stories. Keep writing short stories. The money's in novels, but writing short stories keeps your writing lean and pointed.
Yellow wakes me up in the morning. Yellow gets me on the bike every day. Yellow has taught me the true meaning of sacrifice. Yellow makes me suffer. Yellow is the reason I'm here.
The thing I like so much about short stories is that there isn't as much of an investment of time so I'm free to experiment more. If it doesn't work out, I've only lost a week or two of work. If I screw up a novel I've lost at least a year's worth of work. But the nice thing is that those experiments with short stories can be carried over to novels when the experiments do work.
Unlike yellow and brown people, the white does not usually believe he can get attention from matter or objects. ... The white goes further. He often believes he can get attention only from whites and that yellow and brown people's attention is worthless. Thus the yellow and brown races are not very progressive, but, by and large, saner.
The teachings of Jesus begin in story and end in symbol - they begin in parable and end in us. These are not Bible stories that we learn; these are our stories.
Writing a song is like - you're writing a song all the time. It's just when it pops out. It's been there all the time. It's not something that suddenly you do it. It's always there. Suddenly, it's in the right mixture inside you to come out. Usually when you're writing on the piano or a guitar, you don't write in lyrics, on their own. To me it's very boring.
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