A Quote by Bill Plympton
America is behind Europe and Japan in terms of accepting adult ideas in animation.
Related Quotes
Everybody understands a slap in the face. In Japan, Belgium, or America, a punch is a punch. Comedy will be different in Europe or America or Japan, so my movies are very international.
You look at Japan and Hayao Miyazaki's films are the biggest films ever made in Japan; domestically there and they play to critical acclaim around the world. He won't put more then 5 or 10 percent computer imagery in his movies. It's disappointing to me. It's a silly choice that some studios made to move out of animation. It's part of the unfortuneate preconception that I think the public has going into see animation.
Japan, Europe, [and] America probably [are] better than last year [2015], not China.
My first six months were in Japan; then I went to Mexico and then went back to Japan. I had the opportunity to wrestle all the wrestlers from the United States, Europe, and Japan when I was there.
The world, in terms of choices available to educated, ambitious workers and entrepreneurs, is way bigger than just the United States, Japan and Europe.
When I was a young guy, when I first started with G.E., Jack Welch sent us all to Japan because in those days Japan was gonna crush us. And we learned a lot about Japan when we were there. But over the subsequent 30 years, the Japanese companies all fell behind. And the reason why they fell behind is because they didn't globalize.
The largest source of greenhouse gases in the coming decades will not be the US, Western Europe and Japan, but the developing economies of East Asia, Latin America and Eastern Europe. The coming eruption of carbon emissions from the poor world will dwarf any reductions in the North.
I really love animation as a storytelling medium, whether it's traditional, cel animation, or CG, or stop motion, which is more our studio's area of focus. But I find that the creatives behind any kind of animation are typically very similar, and so regardless of what aesthetic they use to realize their vision, I'm usually pretty into it.
Compared to industry in Europe or Japan, where industry was based on a craft tradition, we are sadly behind.
Since 2010, America has put more people back to work than Europe, Japan, and all advanced economies combined.
I find this in all these places I've been travelling - from India to China, to Japan and Europe and to Brazil - there is a frustration with the terms of public discourse, with a kind of absence of discussion of questions of justice and ethics and of values.
You're going to get different kinds of animation for different kinds of audiences. Traditionally, adult animation has been for the young male audience. There's no reason why that should be.
In America there is really very little knowledge of the literature of the rest of the world. Of the literature of Latin America, yes, But that's not all that different in inspiration from that of America, or of Europe. One must go further. You don't even have to go too far in terms of geography - you can start with the Native Americans and listen to their poetry.
Europe isn't something connected by the Euro. Every little dimension of Europe is so hugely different, and I think America is different in its states as well, so I never really think of things in big blocks, in terms of other artists.
The settlement of America had its origins in the unsettlement of Europe. America came into existence when the European was already so distant from the ancient ideas and ways of his birthplace that the whole span of the Atlantic did not widen the gulf.
In Europe and Britain they seem to be much more accepting and embracing of older bands, whereas in America if you've been out for three years, you're old, and I think that attitude stinks.
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