A Quote by Bill Pullman

American audiences and European and Asian audiences are so different. — © Bill Pullman
American audiences and European and Asian audiences are so different.
I make American films for American audiences and Asian films for Asian audiences.
[European audiences differ from American] they talk different. The ones in Holland speak Dutch. The ones in Switzerland speak Swiss. That's the only difference.
American audiences are just the same as any other audiences. Except a bit more boring.
The audiences are really different in general. Even in the same country or in the same city, from one venue to another, the audiences can be totally different.
The American audiences are more vocal and enthusiastic. British audiences tend to sit back a little more.
TV can reach broad audiences, mass audiences, niche audiences; it can be local, regional, national; it can be spots, sponsorship, interactive. It can be anything you want it to be. I tend to think of TV as the Swiss Army knife of media, it's got something for everybody.
I write on sacred stories, symbols and rituals of all cultures - European, American and Chinese - but my audiences, typically, like me to focus on India.
I've enjoyed appearing in Atlantic City. East Coast audiences are a bit brighter than Las Vegas audiences. I think most entertainers will tell you the same thing. The East Coast audiences are more perceptive - especially when it comes to a performer with a theatrical background.
I don't underestimate audiences' intelligence. Audiences are much brighter than media gives them credit for. When people went to a movie once a week in the 1930s and that was their only exposure to media, you were required to do a different grammar.
British audiences tend to want to see their own lives reflected on TV, whereas American audiences are quite aspirational and enjoy high-concept shows that show them lives that are perhaps slightly more exciting than they aspire to.
I now have two different audiences. There's the one that has been watching my action films for 20 years, and the American family audience. American jokes, less fighting.
I always feel like people misunderstand the difference between an Asian story and an Asian-American story. That's completely different, too. I have friends who grew up in Asia, and our experiences are so different. Even though we might look the same, I feel like being Asian and then being Asian-American is completely different.
American audiences don't react in the same way as European ones to African music because, I think, Europeans listen to this music through all the festivals that exist here.
And lot of Asian audiences and reporters don't like me to act as a bad guy. But I think I want to become an actor, I want to try different way.
In the '50s, audiences accepted a level of artifice that the audiences in 1966 would chuckle at. And the audiences of 1978 would chuckle at what the audience of 1966 said was okay, too. The trick is to try to be way ahead of that curve, so they're not chuckling at your movies 20 years down the line.
Well, the coffeehouse audiences never know what they're going to get, and all the comics are different, as opposed to when you go to a club, and they're pretty much all telling jokes with set-ups and punchlines. Coffeehouse audiences are the most forgiving: They really listen, which is the best part.
This site uses cookies to ensure you get the best experience. More info...
Got it!