A Quote by Bill Pullman
A lot of people just ask me about how I can do small budgets and big budgets, but many actors do both. I think the more self-destructive impulse I have is doing so many different characters.
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I don't think you can discriminate against budgets, you know? I'm an actor, I guess, so I'm just trying to play as many characters as I can. If there's a character I think I can play, and they're going to let me do it, I'll do it whether it's $10 or $1 million or more.
I just want to do everything. As broad as that seems, it's kind of the plan. There are so many different genres out there to do, so many different characters to play, so many different amazing actors and directors to work with. I'm just following my gut, and if it's speaking to me, then I'm doing it.
When you live in Israel, there are restrictions which come from budget definitely. I came to the point where I had shot many fiction, many feature films, but at one point it began to bore me. It was boring because when you're Gordon Willis or when you are a legend of American cinematography, you know that you are gradually building yourself and you can go into bigger budgets and experiment more. In Israel, the budgets are very, very limited.
Marketing executives like big budgets, as big budgets make it easier to grow the top line.
If you're doing movies on a set... many times, I've shot the end of a movie in the first week of shooting. Because of locations or budgets or actors' availability.
The movies I did before were movies with a lot of characters, a lot of locations, and low budgets, which meant that I was running all over the place and never had the chance to build a relationship with an actor. I was always having big, strong relationships with the cinematographers or editors or production designers, but not with the actors.
Being an actor: that's a pretty big net. That's a big playing field. The Screen Actors' Guild is filled with many, many, many, many people and vastly different careers.
The budget idea, I may admit, is a sort of obsession with me. I believe in budgets. I want other people to believe in them. I have had a small one to run my own home; and besides that, I am the head of the organization that makes the greatest of all budgets, that of the United States Government. Do you wonder, then, that at times I dream of balance sheets and sinking funds?
But being able to talk to so many patients from so many walks of life gives a tremendous window into people's lives. This is not to say I want to write about individual patients, but I think that after listening to the concerns of people who are so different from me, I can more realistically portray characters who are so different from me.
The studios still had development programs for young people. Because you weren't talking about the budgets of small nations the way you are now when you make a movie. There was a lot more freedom to fail.
Obviously, when you get into larger budgets, you have less of that freedom, and I just - I'm not a person that tends to make stories for those larger budgets. To me, it's not much fun to have that kind of pressure.
A lot of independent films try to pull off a 14-day shooting schedule, which I think is ridiculous. No matter how big or small you are, it really kills whatever sort of time you get to allow the actors to find their characters, and to spend time to think about what they're doing.
One of my favorite things about the DC Universe, growing up as a reader, was just how big it was and just how many characters and superheroes there were. And how many odd characters there were.
A lot of people have that story that they used to sell crack or shoot people; that's nothing new. But honestly, if that was me, I probably still wouldn't be doing that because it's so many people that's doing that. It just gets old when you hear a million raps about how many ways I could shoot you. So I just try to be more creative and come with something new because I actually care about the music.
You have a lot more leeway to be contradictory playing a character than most of the scripts have in them. That's how all actors are. We have so many different sides of ourselves and we're so different, in meeting with different people. The audiences relate more to that and find that more believable.
I got into acting for the chance to be many different people and many different characters. I love hiding in a role and doing the research. If there is an opportunity to change my body, I will change my body. I'll slip in and disguise myself in a role. That is a really big treat for me.
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