A Quote by Bill Pullman

I've always been a fan of George C. Scott, who was working in movies when I was in college... films like 'Patton' and 'Hospital.' I was really impressed by him, and I had seen him onstage as well in 'Uncle Vanya.' He was a champ to me.
I'd love to do a comedy. I always told myself that I don't have funny bones, and then I was working with Dervla Kirwan in 'Uncle Vanya,' and she was like, 'Lara, you're really, really funny.' And I realised I am, and that's not even me blowing my own trumpet.
I really was very impressed with DMX during the whole experience on 'Romeo Must Die.' I like working with him. I liked him. And I was very impressed with the reaction of the audience when he was in the picture.
Obviously I've been reading Kafka for a long long time, since I was really young, and even before I ever read him I knew who he was. I had this weird sense that he was some kind of family. Like Uncle Kafka. Now I really think of him that way, the way we think about an uncle who opened up some path for being in a family that otherwise wouldn't have existed. I think of him that way as a writer and a familial figure.
I had never heard anyone play like Benny Goodman and had never seen anyone like him on the stage. I realize now that what impressed me and stayed with me in memory was - the sounds he made. He played so purely. The music seemed to come from him, not just the instrument he played with such mastery.
Oh my God... I worked with George C. Scott, way before 'Chips,' in 'The New Centurion.' I co-star in that movie. It was great working with him. I worked with Charlton Heston, Glenn Ford, Robert Mitchum. Stacy Each. The old Hollywood. I met John Wayne, and that was a thrill. I was working next door to him.
My uncle was a hero, Lewis Roundtree. He was not even related to me really, but he was always called my uncle. He was like a father to me. I was closer to him than I was my father.
There's a play that Chekhov wrote called 'Uncle Vanya,' and I when I was in school, I played Sonya, and sometimes people ask me if there was ever a role I could play again, that's definitely the role I would play again: Sonya in 'Uncle Vanya.'
George Jones has been a major part of my personal and professional life for a long time. I have been inspired by his music for the last 50 years and for 42 of those, I had the pleasure of knowing him personally and professionally. He was IT to me. George was and will always be my guy. I am luckier than a lot of people on this Earth because God let me be a part of George's life and him a part of mine. And on this day, his song couldn't be more true: 'He Stopped Loving Her Today.'
People ask me what it was like working with Jim Carrey. Well, I never really saw too much of him. I would talk to him on the set, but I was looking at a Grinch facade. It was his voice and all, but... Jim is amazing to watch in front of the camera. I learned a lot from him. He was also always very nice and generous to me.
My father had put these things on the table. I looked at him standing by the sink. He was washing his hands, splashing water on his face. My mamma left us. My brother, too. And now my feckless, reckless uncle had as well. My pa stayed, though. My pa always stayed. I looked at him. And saw the sweat stains on his shirt. And his big, scarred hands. And his dirty, weary face. I remembered how, lying in my bed a few nights before, I had looked forward to showing him my uncle's money. To telling him I was leaving. And I was so ashamed.
I'm Uncle Viv to Ian Botham's son, Liam, and I've been a sort of mentor to him over the years. I've always been there for him and whenever there was an opportunity to see him play sport, I was there.
My father was an inspiration to me; I made a few movies with him and I loved working with him. Everything about him - his whole approach to work, as well as his love, enthusiasm and respect for it and other people in the business - was inspiring. I was very lucky to have him as a role model.
Salman has always been a warm person. I have seen him grow as an actor and its always lovely working with him.
I love Leonardo DiCaprio. He just makes really great films with great directors. He has great relationships with directors but also has a great social awareness. I think he balances his work with his responsibilities to his world, the environment, things like that very well. I'm very impressed by him and I admire him a lot. And other actors like Joaquin Phoenix, I just look at him and marvel at his unexpectedness, just his work really.
I am a huge Prince fan. It's a very rare thing for him to have people open for him. It's been the Time and Sheila E., and that's about it. Building a relationship with him has been like a dream come true. I've been looking for a mentor, and I feel like I have that in him.
I had just been doing graffiti around New York and this real estate investor guy had walked through meat packing in New York and saw some of my graffiti. He was impressed and asked if I sold canvases. I really had not made any canvases of my graffiti work yet, but told him I could make one for him. He then commissioned me to make ten paintings and put on my first art show. Between the sold out show and the cops chasing after me it created a lot of media and I've been doing really well since then.
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