A Quote by Bill Reid
But I didn't think about this beforehand. I just went ahead and did it, and that's the way it turned out. So I guess there are lots of paradoxes which I'll leave for other people to unscramble.
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I'm pleased it turned out the way that it did, because I know lots of other people who did fantastic work and did not see this particular kind of recognition [like Emmy].
when people go away, or when we leave the places we love, or something we treasure goes out of our life - I have always noticed that before it happens - this leaving, this parting - when we think about it beforehand we are overwhelmed with sadness at the loss to come. ... the most unbearable sense of loss, the worst homesickness of all, so I have found, is this loss and sickness we feel beforehand, before we ever leave home.
A lot of people – and I’m just not one of them – believe that you should live for the now. I think what you do is think about the great expanse of time ahead of you and try to make sure that you’re planning for that in a way that’s going to leave you ultimately satisfied. This is the way it works for me.
I don't really know how to live my life, just like lots of other people don't. I guess you just learn along the way.
I think there are some people who have taken on fame in extraordinary ways, like Madonna, David Bowie, and Michael Jackson. There are other people who have taken it on in a completely different way, like Prince - who is just as famous and has achieved just as much - but is still unbelievably mysterious, which I guess Bowie managed to hold as well. There are different ways of dealing with it, and for some people I think it becomes an art form of how you put yourself out there, and for other people it's literally a way of life, it's who you are, you act like a celebrity.
In a way, NAFTA is like a scrambled egg. How do you unscramble an egg? The value chains are so interwoven that it would be very difficult to do that. But government policies force us to look for ways to unscramble it.
We can create the sensation of community through the accrual of actions, and that's often the clichéd way that storytelling is talked about, as someone taking a solo, and that's great for lots of reasons. But I don't really like to feel like I'm forced to listen to it in a certain way, or that there is one master reading of performance. I think what we want from performance is multiplicity, which is lots of ways in and through it, because it's for lots of people, and it was created by lots of people, often.
I’m not really afraid to be my awkward self, and I know there’s lots and lots of other people just like me out there that are awkward themselves. And I think they just appreciate that I’m not afraid to say the weird things that I say and tweet the obnoxious things that I tweet. But I’ve tried being other people and myself suits me the best. I think you just be honest. I think people respond to honesty.
I think kids are in your temporary care, and that they probably arrive with pretty much the personalities they're going to have. I grew up in a perfectly traditional family and turned out how I did. I'm not sure there's much that the family can do except lots of love and lots of care and lots of chances for them to develop the best they can.
Professionally, I was at Bristol Old Vic Theatre School and did lots of things there, and then I won the BBC Carlton Hobbs Award, so I did some BBC Radio drama work, which is a lovely way to start out because you work with lots of great people, and you're working all the time, so you're learning rather than sitting around and waitressing.
Lots of media people ask me what do you think of yoga in the gyms, and what do you think about this article and what do you think about that, and how about it's so commercial now. I say, look, whatever gets people turned on to it.
I think about people whose lives maybe hadn't turned out as well as me and Joel's lives, and I just think it's just pure luck and the grace of God. I also think we were lucky to have each other as brothers.
There are lots of incredible people who are working in very flawed structures that are designed to keep us apart, so we're going to have to figure this out. The first stage is just talking about it openly: We are all working within structures where there is a disincentive to do what we most need to do, which is come together. I don't know what the answer is but I definitely think that that first stage is just being honest about it and trying to speak about it in a way that is not just accusatory.
There are two kinds of paradoxes. They are not so much the good and the bad, nor even the true and the false. Rather they are the fruitful and the barren; the paradoxes which produce life and the paradoxes that merely announce death. Nearly all modern paradoxes merely announce death.
Just as with other great words, the word environment means different things. You might say that a cave woman twenty thousand years ago sweeping out the cave was improving the environment. Many people improving the environment think only in terms of the air they breathe in their hometown and the water in the aquifer under their hometown. My guess is very few are thinking centuries ahead or thousand of years ahead, but that's what we have to do.
I was going to be a writer, and that turned into journalist. And then that turned into a career in children's literature, which turned into early childhood education, which turned into psychology, which turned into premed, which turned into nursing school, which turned into communication, which turned into marketing and advertising.
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