A Quote by Bill Russell

What's more important than who's going to be the first black manager is who's going to be the first black sports editor of the New York Times. — © Bill Russell
What's more important than who's going to be the first black manager is who's going to be the first black sports editor of the New York Times.
Knowing that I was potentially going to be the first black Bachelorette actually held me back from wanting to do it. With the first, there's always so much pressure. And I knew I was going to be new to the audience as a lead for a number of reasons - being over 30, being a career woman, and also being black.
There's an inherent idea that if a Black executive producer and a Black director are going to do a movie based on a Black writer's book that everybody is going to be Black.
My first filming job was one of the first episodes of 'Black Mirror,' before anyone knew what that was going to be. It was this mad project with some great people behind it - and now it's 'Black Mirror!' It was sort of baptism by fire.
The New Black doesn’t blame other races for our issues. The New Black dreams and realizes that it’s not a pigmentation: it’s a mentality and it’s either going to work for you, or it’s going to work against you. And you’ve got to pick the side you’re going to be on.
The New York Times will tell you what is going on in Afghanistan or the Horn of Africa. But it is no exaggeration that The New York Times has more people in India than they have in Brooklyn. Brooklyn is a borough of two million people. They're not a Bloomingdale's people, not trendy, sophisticated, the quiche and Volvo set. The New York Times does not serve those people.
Now it's time to play a brand new game called Name That Barcode. Here's the first one: "Thick black, thin white, thick black, thick white, thick black, thin white." OK who's going to identify that?
When the charge first came up, I hated black women. Then, going to trial, I started seeing the black women that was helping me. It's mostly black female guards. They treat me with human respect.
We were a very politically active family. My father was one of the first lawyers in South Africa to have a black partner, so I grew up very aware of the struggle going on. Coming from that background, it really gave me chills to have my music be a part of the election of the first black American president.
What kind of motivated me to join the Black Panther Party was that I, along with some of the comrades that I was working with in New York, had heard about the Black Panther Party, and they were doing things that we wanted to do in New York, and we thought that would be a better vehicle than the vehicle that we had going on in New York. They were better organized, and they already had their Ten-Point Platform and Program, and people already heard about them. So we decided that we would join the party, when given a chance.
As a journalist, I never critiqued anyone. I never review books. I've never felt qualified as a musician to say whether someone is a good musician or a bad musician. What happens with Black writers and Black artists is that if you're critiqued, for example, by a Black historian who wants to get his name on the cover of "The New York Times," and he says something, like, wacky, well, he'll get his name on the cover of "The New York Times" and he might get tenure, and your career suffers.
For a black person who's Senegalese, growing up in France, or a New York Jamaican, that's a completely different relationship with being black and how you might be accepted in that culture or that world. Everyone's experience is different. Especially black women and black men.
It's nice to come into a town and be referred to as the manager of the Cleveland Indians instead of as the first black manager.
When I first went to New York, I didn't really go out to clubs. It was the height of Culture Club so I didn't really have a social life. It was only after I had been to New York a few times that I started going out.
First woman of colour, first Black person and first Jewish woman elected to lead a major federal party - it was never going to be a walk in the park.
The NYPD with the unconditional support of Mayor Michael Bloomberg has stopped-and-frisked more black men than there are black men in New York City. Institutionalized racial discrimination in the United States is alive and well.
The locomotives are black. The coal is black. The tracks are black. The night is black. So what am I going to do with color?
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