A Quote by Bill Sienkiewicz
Kyle Baker's work is really funny, but it's also got a very clear vision
Related Quotes
Kyle Baker's work is really funny, but it's also got a very clear vision.
You've got to believe in yourself, you've got to have a very clear vision, and you've got have the fire in the belly and go out and not be shy with working because it takes a lot of work.
My wife's a really keen baker, and her mother is also a really keen baker, so they were giving me a little hand over the weekend, and giving me tips, things like that.
I went by Kyle, and I made friends on the team as Kyle. It went on for a pretty long time, until I went to a birthday party in a dress and all the hockey players were like... 'Kyle?'
The cool thing about Kyle Killen, he writes really defined characters. I was a big fan of 'Awake' and also 'Lone Star.' I just think that he's a really, really special writer, and complex and deep, and a really smart dude.
I like to be able to feel as many parts of myself while watching a movie at one time. I think that's what 'Super' is - it's funny, but it's also sad. It's very touching in certain ways, and it's also got a very dark sense of humor. So it's allowed to go anywhere.
Clarity is the most important thing. I can compare clarity to pruning in gardening. You know, you need to be clear. If you are not clear, nothing is going to happen. You have to be clear. Then you have to be confident about your vision. And after that, you just have to put a lot of work in.
Whatever you can think, you can create; just have a very clear vision... Once you have your snapshot, work on filling in the blanks to get to that place.
There are three main areas of focus: vision, priorities and alignment. It is critical to articulate a clear vision - how do we add value based on what key competences? Some leaders fail to be clear enough or fail to update the vision based on changes in their industry and in the world.
Ben rubbed his muzzle over Kyle’s shoulder in a way that I think was supposed to be reassuring. Kyle sucked in a breath. Either it hurt, or the reminder that the werewolf was big enough to rub his shoulder without much effort wasn’t exactly reassuring. “Ben, when was the last time you brushed your teeth?” asked Kyle. Or else Ben’s breath was really bad.
I was born in 1971, and Tom Baker was sort of my obsession as a kid and that's why we got him to do the voice over for 'Little Britain' because I was actually obsessed with Tom Baker.
Lou Holtz, I was also a huge fan of. He was really funny. I think that's a big part of why I was attracted to the Razorbacks: I thought Lou Holtz was really funny. He is really funny. Too bad he's a born-again, or whatever.
There always comes a moment where all the departments in a film need to work together. And if a director, his first assistant director, and cinematographer have a very clear vision, then everybody does work together.
I have a very clear, genuine vision about what political work should be, what politics and politicians should contribute to the nation.
Working with [Kyle Chandler] in the scene was like playing tennis. You work with really talented actors, I think they make other actors look really, really good.
We could call you an ambisexual. A duosexual. A—” “Do I really have to find a word for it?” Kyle interrupts. “Can’t it just be what it is?” “Of course,” I say, even though in the bigger world I’m not so sure. The world loves stupid labels. I wish we got to choose our own. We pause for a moment. I wonder if that’s all—if he just needed to say the truth and have it heard. But then Kyle looks at me with unsure eyes and says, “You see, I don’t know who I’m supposed to be.” “Nobody does,” I assure him.
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