A Quote by Bill Sienkiewicz
To me, the technique was almost irrelevant; it was what was coming across.
Related Quotes
You get Don King's point of view in what is almost a Shakespearean, classical technique. He comes across almost like a lovable rogue, like Iago in 'Othello' or Richard III. He's doing all these bad things, but I kind of like him. It's like 'Pulp Fiction': Everybody's a bad guy, yet you like them.
Occasionally I'll come across something that's just annoying, but for the most part it's irrelevant to me.
I remember John walking on and starting to play, and my mouth sort of dropped open in disbelief at the power of the playing coming across the stage - and the technique! I've never, ever seen another drummer play quite the way he did.
You know what somebody else's fundraise metrics are to you? Irrelevant. You know what your own last round post was? Irrelevant. Yes, I know, not legally, because of those pesky rights and preferences. But emotionally, trust me: it is irrelevant now. We even have a name for this - valuation nostalgia.
I try to show good technique - boxing technique, wrestling technique, jiu jitsu technique.
Drones don't stop people from coming across the border, they merely tell you that someone is coming across the border.
The people who don't like me are completely irrelevant to me, just as I'm irrelevant to them.
I am a huge bull on this country. We will not have a double-dip recession at all. I see our businesses coming back almost across the board.
Technique to me is a kind of a ... I'm reluctant to talk about it because it seems so obvious to me what good technique is. I mean, you sit down, you shut up, and you pay attention is basically the good technique. And then the footnotes add; on an empty stomach, in a dark room, feeling comfortable.
Do you know when you cross against traffic? You look down the street and see a car coming, but you know you can get across before it gets to you. So even though there’s a DON’T WALK sign, you cross anyway. And there’s always a split second when you turn and see that car coming, and you know that if you don’t continue moving, it will all be over. That’s how I feel a lot of the time. I know I’ll make it across. I always make it across. But the car is always there, and I always stop to watch it coming.
I find that when one has worked long enough, technical know-how becomes almost irrelevant. In photography, it's not difficult to reach a technical level where you don't need to think about the technique any more. I think there is far too much literature and far too much emphasis upon the techniques of photography. The make of camera and type of film we happen to use has little bearing on the results.
I don't know what another actor is going to give me, on the day, and I don't want to be so hard and fast in my technique that I'm not open to what's coming.
There's an awful lot to be desired. I've gone to places where people say to me, "What's your technique?" Technique? What the hell technique is there to acting? We're acting because even with my voice I'm giving what I think is what I want to say.
The Alexander Technique has helped me to undo knots, unblock energy and deal with almost paralysing stage fright
My technique is laughable at times. I have developed a style of my own, I suppose, which creeps around. I don't have to have too much technique for it. I've developed the parts of my technique that are useful to me. I'll never be a very fast guitar player. I don't really know what to say about my style. There's always a melodic intent in there.
No technique is possible when men are free. Technique requires predictability and, no less, exactness of prediction. It is necessary, then, that technique prevail over the human being.
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