A Quote by Bill Vaughan

Know, he that foretells his own calamity, and makes events before they come, twice over, doth endure the pains of evil destiny. — © Bill Vaughan
Know, he that foretells his own calamity, and makes events before they come, twice over, doth endure the pains of evil destiny.
The southern wind Doth play the trumpet to his purposes; And, by his hollow whistling in the leaves, Foretells a tempest and a blustering day.
He that doth righteousness; that is, righteousness which the gospel calleth so, is righteous; that is, precedent to, or before he doth that righteousness. For he doth not say, he shall make his person righteous by acts of righteousness that he shall do; for then an evil tree may bear good fruit, yea, and make itself good by doing so; but he saith, He that doth righteousness is righteous; as he saith, He that doth righteousness is born of him.
A multitude of words doth rather obscure than illustrate, they being a burden to the memory, and the first apt to be forgotten, before we come to the last. So that he that uses many words for the explaining of any subject, doth, like the cuttle-fish, hide himself, for the most part, in his own ink.
Every people should be the originators of their own destiny, the projectors of their own schemes, and creators of the events that lead to their destiny -- the consummation of their own desires.
The translator ... Peculiar outcast, ghost in the world of literature, recreating in another form something already created, creating and not creating, writing words that are his own and not his own, writing a work not original to him, composing with utmost pains and without recognition of his pains or the fact that the composition really is his own.
The artist must prophesy not in the sense that he foretells things to come, but in the sense that he tells his audience, at the risk of their displeasure, the secrets of their own hearts
He who only wishes and hopes does not interfere actively with the course of events and with the shaping of his own destiny.
Both destiny's kisses and its dope-slaps illustrate an individual person's basic personal powerlessness over the really meaningful events in his life: i.e. almost nothing important that ever happens to you happens because you engineer it. Destiny has no beeper; destiny always leans trenchcoated out of an alley with some sort of Psst that you usually can't even hear because you're in such a rush to or from something important you've tried to engineer.
A man may as certainly miscarry by his seeming righteousness and supposed graces, as by gross sins; and that is, when a man doth trust in these as his righteousness before God, for the satisfying His justice, appeasing His wrath, procuring His favor, and obtaining his own pardon.
Let not that man think he makes any progress in holiness who walks not over the bellies of his lusts. He who doth not kill sin in this way takes no steps toward his journey's end.
The whole world, from the least to the greatest, must know the truth, so that man may understand the great laws that govern his life. He must learn to control his own destiny, to heal his own body and bring happiness to his own soul.
If one doth act in friendly wise, With no evil thought toward any single creature, And in so doing becometh proper, And if he have compassion in his soul Toward all living beings--this noble one Doth acquire abundant Virtue.
The writer cultivates, extends, raises and inflates his imagination, sure that this is his destiny, his usefulness, his contribution to the understanding of good and evil. As he inflates his imagination he inflates his capacity for evil.
To a professional critic (I have been one myself) theatre-going is the curse of Adam. The play is the evil he is paid to endure in the sweat of his brow; and the sooner it is over, the better.
A man's fate is his own temper; and according to that will be his opinion as to the particular manner in which the course of events is regulated. A consistent man believes in destiny, a capricious man in chance.
Our two souls therefore, which are one, Though I must go, endure not yet A breach, but an expansion, Like gold to airy thinness beat. If they be two, they are two so As stiff twin compasses are two; Thy soul, the fixed foot, makes no show To move, but doth if th' other do. And though it in the center sit, Yet when the other far doth roam, It leans and hearkens after it, And grows erect, as that comes home. Suth wilt thou be to me, who must Like th' other foot, obliquely run; Thy firmness makes my circle just, And makes me end where I began.
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