A Quote by Bill Veeck

Tradition is the albatross around the neck of progress. — © Bill Veeck
Tradition is the albatross around the neck of progress.
You know, I can't tell you that I'm very fond of anything I've done, including - and especially- 'The Addams Family.' That's an albatross around my neck that I've got to get rid of somehow.
The verb "Garland" should be created. It would mean to unfairly put a stinking albatross around someone's neck, to make him unemployable.
'A Chorus Line' never dies; it just keeps opening doors and giving back to me - but there was a time when I considered it an albatross around my neck.
Be sure you avoid the Ku Klux Klan. Don't get that albatross around your neck. Once you've made that mistake, you inhibit your operations in the political arena.
Ah! well a-day! what evil looks / Had I from old and young! / Instead of the cross, the Albatross / About my neck was hung.
When you're trying to force things in a script, it seems like it's getting somewhere, but it isn't real or interesting. All the bad material you've written becomes an albatross around your neck. So I really don't like writing a lot of bad stuff, I prefer to just keep narrowing it down to stuff I think is solid.
pg. 231-232: They'd given me a minivan. They could have picked any car and they picked a minivan. A minivan. O God of the Vehicular Justice, why dost thou mock me? Minivan, you albatross around my neck! You mark of Cain! You wretched beast high ceilings and few horsepower!
The ethics of sex is a thorny problem. Each of us is forced to grope for a solution he can live with - in the face of preposterous, unworkable, and evil code of so-called 'Morals.' Most of us know the code is wrong, almost everybody breaks it. But we pay Danegeld by feeling guilty and giving lip service. Willy-nilly, the code rides us, dead and stinking, an albatross around the neck.
The rationale for accepting or rejecting any theory is thus fundamentally based on the idea of problem-solving progress. If one research tradition has solved more important problems than its rivals, then accepting that tradition is rational precisely to the degree that we are aiming to "progress," i.e., to maximize the scope f solved problems. In other words, the choice of one tradition over its rivals is a progressive (and thus a rational) choice precisely to the extent that the chosen tradition is a better problem solver than its rivals.
This name Mandela is an albatross around the necks of my family.
That girl will rain destruction down on you and your ship. She is an albatross, Captain. Way I remember it, albatross was a ship's good luck, 'til some idiot killed it. [to Inara] Yes, I've read a poem. Try not to faint.
"Abby," he murmured, lifting a hand to curve around her neck. "I love you." A sob slipped free and she wrapped her arms around his waist. One of his hands cupped the back of her neck and cuddled her in close. As he bent around her, he whispered, "I’ve loved you so long, I can’t remember what it’s like to not love you. And I’ll go to my grave loving you. You’re my everything."
The modern tradition is the tradition of revolt. The French Revolution is still our model today: history is violent change, and this change goes by the name of progress. I do not know whether these notions really apply to art.
Can you accuse me, if a man is putting a rope around my neck, of being violent, when I violently struggle against this lyncher to try and keep him from putting a rope around my innocent neck? Why, you'd be insane to cause me - to call me violent.
Granny beads are what they're called when a grandma works the garden all day - you always see them - they have a handkerchief around their neck with a lot of dust on them, and then the sweat will go down and make these black beads of sweat and dirt around their neck. And that's what they call granny beads.
The turtle only makes progress when it's neck is stuck out.
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