A Quote by Bill Veeck

I was in the game for love. After all, where else can an old-timer with one leg, who can't hear or see, live like a king while doing the only thing I wanted to do? — © Bill Veeck
I was in the game for love. After all, where else can an old-timer with one leg, who can't hear or see, live like a king while doing the only thing I wanted to do?
After a while, no matter how much you love any pop song, you're going to get tired of it. That's the way it is with any entertainment. It's good when you first hear it or see it, you like it for a while, then it gets old. It gets chewed up and spit out and it's done.
It's a mere moment in a man's life between an All-Star game and an old-timer's game.
I don't watch TV. Only while I'm doing it do I see it, really. So I don't know anything. I only know old reggae artists. So that's my thing. Old reggae artists and martial arts.
I just think to be a manager you've got to live and breathe and have this incredible enthusiasm for football, the whole thing. And while I love the game, and it's been a large part of my life, it's not the only thing in my life.
I guess, when I go there in the centre, when I do my rehabilitation, I look at the people with only one leg and I actually envy them because I'd love to have one leg. I guess the ones that only have one leg, they envy the ones that they are only missing one leg below the knee, and on and on.
For years I've wanted to live according to everyone else's morals. I've forced myself to live like everyone else, to look like everyone else. I said what was necessary to join together, even when I felt separate. And after all of this, catastrophe came. Now I wander amid the debris, I am lawless, torn to pieces, alone and accepting to be so, resigned to my singularity and to my infirmities. And I must rebuild a truth-after having lived all my life in a sort of lie.
Without realizing it, I think I've wanted to do a sketch show since I was, like, 11 years old. Like everybody else in comedy, I grew up watching 'Saturday Night Live,' and I was doing characters with my friends.
I don't love women. Love has to be reinvented, we know that. The only thing women can ultimately imagine is security. Once they get that, love, beauty, everything else goes out the window. All they have left is cold disdain; that's what marriages live on nowadays. Sometimes I see women who ought to be happy, with whom I could have found companionship, already swallowed up by brutes with as much feeling as an old log.
I have been doing leg lifts faithfully for about fifteen years, and the only thing that has gotten thinner is the carpet where I have been doing the leg lifts.
After me and Daylyt built that relationship, they had a battle in the area and we finally wanted to go see one, live. We was cool with just watching it for a while until me and Daylyt got cool and I really wanted to go see it live.
But you're almost eighteen. You're old enough. Everyone else is doing it. And next year someone is going to say to someone else 'but you're only sixteen, everyone else is doing it' Or one day someone will tell your daughter that she's only thirteen and everyone else is doing it. I don't want to do it because everyone else is doing it.
Doing new stuff live is tough just simply because I pay my money, I stand in my seats, and I see the guys I love. And if I paid that ticket, there's a good chance that I'm there to hear the stuff that made me fall in love with 'em - we call it the 'old stuff.'
It was shocking to see a leg! You've never seen a leg in these stories. We made it a little saloon girl. We played up on many elements because everything is just very covered and the tights are very thick and heavy. And then to have it all fell apart, absolutely, we wanted to see the leg!
Some people see life as a game of chess, while others prefer to see it as a game of cricket; but the longer I live, the more I think of it as a game of Consequences.
I love to prune my roses. That's the one thing I really feel I do pretty well. Other things I usually, because I travel so much, leave to my gardeners who know what I love. But I do love to prune them, because you forget everything else. It's like if you're a painter, you can forget everything else while you're doing it.
Doing new stuff live is tough just simply because I pay my money, I stand in my seats, and I see the guys I love. And if I paid that ticket, there's a good chance that I'm there to hear the stuff that made me fall in love with 'em - we call it the "old stuff." And if an artist comes in town and dumps his entire new album on me, as a listener in a concert venue, it happens to miss out on the old stuff that I came there for. That doesn't work too well for me as a listener. Most of the time for concerts, it's the old stuff.
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