A Quote by Bill Viola
I came of age at the end of the 1960s, just when video was also coming into the world. Companies such as Sony and Panasonic were starting to market it and we artists immediately knew how it could be used.
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My dream was to work for one of the big electronics companies like Sony or Panasonic.
Tech stocks were the cubic zirconium of the market. They looked good and were sexy, but they just were a way for the company selling them to make money. That's always going to be transient in terms of the stock market. What's real is that companies have to compete. Technology used well is a great tool to enable that if only because most companies dont use technologies well.
What if somebody came along who could teach me how my world works and how to control it What if I could meet a super-advanced ... what if a Siddhartha or a Jesus came into our time, with power over the illusions of the world because he knew the reality behind them And what if I could meet him in person, if he were flying a biplane, for instance, and landed in the same meadow with me.
The visual world has blown up, the world of writing has blown up; there's so much text online. Anyone and everyone can express themselves. It's a lot to think about as an artist. Also, that the persona of the artist might actually be of some importance. When I came of age, it was important to be quiet and hang back and be mysterious. I knew artists who didn't even want to show up at their own openings. They never wanted to have their picture taken, didn't want to autograph a book, didn't want to answer a question. I came of age in a world where it was "Let the work speak for itself."
Sony and Nickelodeon knew they wanted to create a TV show that was a platform for a band they would have for Sony. They knew what they wanted, and it took two years of auditions and screen tests and countless people coming in and out the door until they finally settled on the four of us.
If you look at the Gulf War or new military technologies, they are moving towards cyberwars. Most video-technologies and technologies of simulation have been used for war. For example, video was created after the Second World War in order to radio-control planes and aircraft carriers. Thus video came with the war. It took twenty years before it became a means of expression for artists.
I truly believe there needs to be more programs for artists and musicians to teach basic financial literacy and planning. Coming from where I came from, I know that I could have used that kind of assistance.
When there were not very many Internet companies, the supply of Internet companies to the market was small and the appetite for them was large. Therefore, if you were in the business of creating Internet companies in 1996-98, you had a market that provided massive demand for that.
I knew, back when I was starting up, that if I had something that could be developed for the mass market, I could really take it forward.
Yeah, I guess for years I wanted to be an artist, and when I was growing up, lots of my family were artists, so I was kind of surrounded by that world. Then acting came along, and I loved it immediately.
I don't think I ever intended specifically to write for the young adult market. It's just that when the idea for City of Bones came to me, I knew the main characters were teenagers. In my mind they were just very clearly the ages they were, which turned out to mean it was a YA novel.
The first video I shot for "A Zip and a Double Cup"â€"I have two versions, a remix video and a the originalâ€"because I wasn’t really trying to do anything. I just came home and got kind of high and shot a video in the parking lot. I just shot the video how I wanted to do it and posted it online and the next day it went crazy.
Coming of age in the 1960s, I heard the word 'fascist' all the time. College presidents were fascists; Vietnam War supporters were fascists. Policemen who tangled with protesters were fascists - on and on.
I knew how the suits used to talk about the artists, with barely concealed contempt. So I knew what was waiting for me round the corner. Because I wasn't one of those very unusual people like Neil Diamond or Elton John, whose careers just seem to span the decades. I knew I wasn't one of them.
I always knew my mother loved me, but I also knew just as surely that there were moments, hours, days, when she could hardly cope with her own life, much less motherhood. Often, these episodes came without warning, like a change in weather, and so I became a meteorologist of her dysphoria.
But she knew this,—that it was necessary for her happiness that she should devote herself to some one. All the elegancies and outward charms of life were delightful, if only they could be used as the means to some end. As an end themselves they were nothing.
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