A Quote by Bill Viola
You can always tell in a movie when they are setting you up for something. If someone leaves an important object on the table and walks away, the camera will have some way of indicating that to you.
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Pain does two things: It teaches you, tells you that you're alive. Then it passes away and leaves you changed. It leaves you wiser, sometimes. Sometimes it leaves you stronger. Either way, pain leaves its mark, and everything important that will ever happen to you in life is going to involve it in one degree or another.
If you're setting up lights and tripods, and you've got three assistants running around, people will want to get you out as fast as they can. But if you go the opposite way, if you make the camera the least important thing in the room, then it's different.
If you memorize the periodic table it will speed you up if you're a chemist, but by and large, the reason you have a periodic table is so that you can store that information outside of your body. That way it frees up some part of your brain to do something else...
So I always think it's important to allow someone to reveal themself. If you notice something about someone that you like, it could really tell you something about who they are during a time of trial. The truth will come out.
So I always think its important to allow someone to reveal themself. If you notice something about someone that you like, it could really tell you something about who they are during a time of trial. The truth will come out.
When you're doing a deal with someone in the southern Sahara, it's a very different way of doing business than in London. You can't sign them in the usual way because they'd end up getting ripped off, which would defeat the object of setting up a label like this.
When you're doing a deal with someone in the southern Sahara, it's a very different way of doing business than in London. You can't sign them in the usual way because they'd end up getting ripped off, which would defeat the object of setting up a label like this
Photographs also show the way that the camera sees. It's not just me or you or anybody else. The camera does something that is different from our own setting.
As an object itself, to me, books today are such a rare entity - I want mine to be something where, if left on the kitchen table, a child could pick it up. It can visually tell a story.
I'm not like a poker player. I'm not into bluff. My way is to look someone in the eye and tell them the way I'm intending to go. My cards are always on the table.
When somebody walks out, it leaves a hole in you. Some people fill it up, the good and the bad, and get on that way. Some people leave it open, maybe long enough to heal, maybe too long, picking at it now and then so it doesn't heal all the way.
Sexuality, eroticism and desire are important for all of us. But that is also the contradiction. How can we speak about pictures and, for example, say no to this way of representing a woman's body? It's also a camera-and-object problem, of who is really guiding the camera.
I will tell you something that you don't want to hear: Autumn is ugly! Look at the dying leaves! There is no beauty in dying! Death is always ugly! The beauty of autumn is just an illusion, my friend! Wake up and see the real truth! See the crying leaves!
I hate it when you are watching a movie where the characters are on the news, and for some reason they shoot it with a 35mm camera or a 4K camera, and they just put it on the TV as if that's the way it would look - it always takes me out of it by putting a filter on certain things. If it's too high quality, you're never gonna buy it.
I work primarily for the camera-it's not something I really talk about a lot, but it's part of the way I am as a movie actor. The camera is my girl, as it were.
Early on, someone had told me, 'You know, the camera can always tell when you're lying.' And, Jesus, that intimidated me. 'The camera can always tell? How am I going to do this?' Until one day I thought, 'Wait a minute, acting is lying. Acting is all about lying.'
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