A Quote by Bill Ward

I have an open mind, and I try to be critical of none of the bands, even if something's not to my personal taste. After all, somebody worked really hard on that music. — © Bill Ward
I have an open mind, and I try to be critical of none of the bands, even if something's not to my personal taste. After all, somebody worked really hard on that music.
I like giving music-themed gifts. I've given a couple of music documentaries to boys. Especially if they don't have the same taste as me, I try to infiltrate their mind with my favourite bands.
I try to use other songs or bands as reference points - it seems like the easiest way to get across what are really differences of taste or opinion. If you know what kind of music somebody loves, then you can kind of figure out why they do what they do.
I don't want to pooh-pooh modern pop. I appreciate that as well, but my personal favorite kind of music is guitar-based rock. I like grunge and garage bands and alternative music, but that's more my personal taste.
When I turned professional, what I was really aiming for was to be in the top 100, try to hold the top 100 for ten years, and just be in the show, and have a nice career. It's more than I could have ever hoped for. I worked awfully hard for it, but there are other people who worked just as hard and didn't get the breaks. I recognized that I've been lucky and being able to live this life that I wanted since a young age. I really went after it with everything that I have and somehow it worked out.
After a while, you start to believe that your opinions are more valid than everyone else's. It can be hard to be humble about making really good music; you really believe that you're a savior to music. That's why bands don't like each other.
And when you try too hard, it doesn't work. Try grabbing something quickly and precisely with a tensed-up arm; then relax and try it again. Try doing something with a tense mind. The surest way to become Tense, Awkward, and Confused is to develop a mind that tries too hard-one that thinks too much.
There was a time when my taste in music was mainstream, for example - people like Jimi Hendrix - who I really based a lot of my inspiration on, was the most popular entertainer of his day. He was really number one. And bands like Led Zeppelin, The Beatles are really number one bands. But those days are very much done. I can't say that if I listen to the number one artist now that I get excited.
Everything I do with BLK DNM is more personal than anything I have done before. I've worked hard to go deeper in my true intuition, and therefore I am definitely more pure in my personal taste than ever.
Imagine a music business where all the music press talked about, all day long, was cover bands of old rock and pop groups. Beatles cover bands, Rolling Stones cover bands, The Who cover bands, Led Zeppelin cover bands. Cover bands, cover bands, everywhere you go.
It's very much a piece of myself when I write a song. I don't mean to say it's very personal, like the lyrics mean something personal to me. When I write a song, that's my taste in music - my taste in chord progressions and melodies.
That is the trouble, everybody is giving everything in the world a piece of their minds. Whereas what we want is not a piece of somebody's mind, even the best mind, so much as an open heart and an open spirit.
If we wish to unfold the mind in our children we do not leave them to their own uncultivated taste in all these things, but we try to help them to train that taste, whether it be in art, in music or in literature.
Porto helped me quite a bit but I worked really hard, with lots of enthusiasm and humility and with my mind always focused on returning to Real Madrid. It was a fantastic year on a personal level.
?ur music, it's an acquired taste. It's almost cult, even at our level. It can mean nothing to somebody and it can mean everything to somebody else.
We came along at a time when people were really focused on music. We were part of the second generation of bands after all of those great 60's bands when rock was still in its' infancy.
An Englishman will take you into a large room, beautifully proportioned, and will point out to you that it is white- all over white- and somebody will say what exquisite taste. You know in your own mind, in your own soul, that it is not taste at all?that is the want of taste?that is mere evasion. English music is white and evades everything.
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