A Quote by Bill Ward

Metallica's 'black' album, when I heard that and I heard Lars' playing, and I just was, like, you know, 'Wow! Something really neat's been accomplished here.' — © Bill Ward
Metallica's 'black' album, when I heard that and I heard Lars' playing, and I just was, like, you know, 'Wow! Something really neat's been accomplished here.'
I love the 'Black Album' because I think it was the beginning of something, primarily. I'd met Metallica, and I'd heard Metallica before that, but when I heard the 'Black Album,' I actually had a response rather like I did with 'Sgt. Pepper.'
A lot of the metal bands that were around when Metallica put out 'The Black Album,' now they're playing clubs, and Metallica is playing stadiums.
Lars [Ulrich] of Metallica is one of the worst drummers I've ever heard, but they hide it because they spend millions recording.
The 'Black Album' was my real first introduction to Metallica. I was, like, 12 or 13 at the time. We were just getting into music, and I liked that album a lot, but it didn't necessarily change my life. But when I started picking up all the other Metallica records, 'Master of Puppets' was the one to me that stuck out with its songwriting.
I heard this album as finished, I heard it in dreams . . . It was like the revelations of John the Baptist or something.
I just want [my daughter Isabelle] to know that she's heard. Really heard, because I feel like that is what we all really want. When I think about any of the missteps in my life that I've made, all of which I'm grateful for, it's because I just so wanted to be truly seen and heard for who I am and was afraid I wasn't or wouldn't be. I see you, I hear you, I'm with you as you are.
I think the first time I really heard poetry was in the schoolyard. Just the little limericks that kids say when they're jumping rope and playing games. I think that's the first time I heard rhyming words - I don't know if I'd call that the definitive poetry, but that's when I heard rhyming words said and not necessarily sung.
When I heard 'Jesus, Take the Wheel,' I was like, OK. Some people look at it as a song written for an American Idol, Carrie Underwood, who is wonderful. But when you're a songwriter listening to a song, you hear something else. I heard that song, and wow.
I'm the youngest of five girls, and I don't know about you, but it's really hard to be heard when you have five women. I've always been this loud and over the top as a person because I just want to be heard.
I used to listen to music from the frosting down. As a word nerd, lyrics are really important to me, and then the melody. Playing in the Rock*A*Teens was the first time I ever heard music from the bottom up. I was hearing songs I'd heard a million times on oldies radio, and I'd be like, "Wow, listen to what the bass is doing!" When I was first singing in bands, I'd just get out there with my machete, wildly whacking away at the foliage. But you learn how to listen. When I feel I'm doing it right, it's 90% listening and 10% output. It's not "look what I can do!"
When I heard The Beatles, that was my turning point. They were like my mentors. You know, the funny thing about that, when I heard 'I Wanna Hold Your Hand,' at first I said these guys are like a flash in the pan. But the second album, I had to take all that back. John Lennon - one of the greatest writers in the world.
You know, the market was down yesterday... my first thought when I heard-just on a personal basis, when I heard there had been this attack and I saw the futures this morning, which were really in the tank, I thought, Time to buy.
Really the greatest music I've ever heard I've hated the first time I heard it. It's been abrasive at first; it's been something that challenged me in a way that I wasn't fully comfortable with.
I'm really terrible at math, so I won't even attempt to do ratios and percentages, but all I know is that there's a lot of new songs that no-one has heard yet, and that there's a lot of old songs that some very, very super hardcore fans have heard for sure - there are people that have been coming and seeing me play in bars in like 2002, and there are songs that those people heard.
When I heard 'Back to Black' from Amy Winehouse, I was, like, 'Wow.' To hear such a soulful voice that feels like it's from a different era, I mean, it felt so fresh and unique, and that was something that opened my eyes and made me believe that it's not always about churning out the same thing in this industry.
There's probably not any kind of music that means more to me than gospel and soul. I heard somebody say that soul music is being proud of where you're from and what you've accomplished, and letting that show. Losing some self-consciousness and ego to join something larger. I like that idea a lot, just letting it all hang out, and on this album we did our best at that.
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