A Quote by Bill Ward
All the things that we had initiated in the first few albums still existed on 'Technical Ecstasy.' The band had not lost any of its vitality.
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It ["Begin the Beguine"] became such a hit that it superseded anything that any band had ever had. It was the first time that a so-called swing band played something melodic and still gave it a beat.
When the band first formed, everybody had been sidemen. So they said, 'In this band there are no sidemen,' and when I joined the band, it was still the same. There were some power struggles emerging, because Henley and Frey had sung all the hits at that point.
I had a lot of different thoughts and ideas and always to transform, but I'm trying certain things that I feel my heart is really going for and that was one of the things that I initiated a few months ago.
My mother, a very eclectic listener, had the first Doors album and gave it to me when I expressed interest in the band. It was one of the first records I ever had. As the years passed, the babysitters who used to look after me would bring their Doors albums to the apartment, and that's how I got to hear their later work.
As never before, he understood the vitality of tradition, the dignity of the worship of what had existed before one's own self had come into being. There was no shame in awe; there was exaltation. (“Cafe Endless: Spring Rain”)
The Photo Album is the weakest record. For the first time in our careers, we found ourselves with an economic incentive to be on the road and to be making albums. We had cut ourselves free from the security of day-job life. The goals became primarily financial, at least for a while. That was the roughest time we had ever had as a band, because that was the first moment we realized that this was for real. We were not goofing around anymore. We all threw everything we had into this in a way where we all found ourselves really far from home, and we were stuck with each other.
A bands first albums usually not great. When you made the first album, you had a day job and you were still trying to be serious about it.
I consider us to be one of the first Internet-based bands, especially because we basically started our entire band via the Internet. Before MySpace Music even existed, we had a band MySpace page. We were one of the first fifty bands on PureVolume(.com), and we really built everything from the Internet. That's how we started talking to record labels, that's how we booked our first tours. Without the Internet social networking, like Twitter, we definitely wouldn't be where we are today. It is a huge part of the band.
First of all, I've been having a wonderful run of luck with cover albums, songs I didn't write. I had five pop cover albums and two Christmas albums, and they were all very successful.
But all three of them had had to lose things in order to gain other things. Will had lost his shell and his cool and his distance, and he felt scared and vulnerable, but he got to be with Rachel; and Fiona had lost a big chunk of Marcus, and she got to stay away from the casualty ward; and Marcus had lost himself, and got to walk home from school with his shoes on.
Keeping fans loyal is a delicate balance. Therein lies the challenge for any band that's more than a couple albums deep. It's like, how do you continue to make records that are representative of who you are that your fans will recognize as your band, while still trying to push things forward and present new sounds for people.
I found myself losing interest in almost everything, I didn't want to do any of the things I had previously wanted to do and I didn't know why. Everything there was to do seemed like too much work. The opposite of depression is not happiness, but vitality, and it was vitality that seemed to seep away from me in that moment.
There was no call from anybody in the band to discuss any of the things that had been a problem or what I had done wrong.
My life had become a catastrophe. I had no idea how to turn it around. My band had broken up. I had almost lost my family. My whole life had devolved into a disaster. I believe that the police officer who stopped me at three a.m. that morning saved my life.
I had a ten-piece band when I was 21 years old, the Bruce Springsteen Band. This is just a slightly expanded version of a band I had before I ever signed a record contract. We had singers and horns.
Stone Mountain, Georgia, still had Ku Klux Klan marches, and I had a wild and courageous mother who'd put us in the car to watch them. She wanted us to know those things existed.
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