A Quote by Bill Ward

I had a lot of teachers. When I think about my upbringing I feel like the most fortunate person. It was a marvellous era for drummers. — © Bill Ward
I had a lot of teachers. When I think about my upbringing I feel like the most fortunate person. It was a marvellous era for drummers.
I think aging is underrated. As you grow older, you have perspective and you realize just how fortunate you are to be working. To be working with the people I've had the chances to work with, I honestly feel like the most fortunate person in the world. I think it's hugely important when you work to bring with you that spirit, which includes and immense sense of gratitude. How that translates into behavior is just to bring your energy, your good spirit and your appreciation, and do your homework and really listen to the person in front of you.
By birth and upbringing, I think I'm emotionally resilient. I don't feel like I'm a depressive person.
I was fortunate to be at that school in an era in which encounters between students and teachers were encouraged; there were a number of teachers who lived on campus, and they'd regularly invite students over for dinner on the weekends. I hope it's still like that: being treated seriously by an adult you admire is a great gift. Children, like adults, want respect - but it's only when you're older that you realize how few people actually extend it.
When you say that I can go and make a movie, I feel like I'm one of the most fortunate men. I feel myself to be a fortunate man that I found something to do that I really love.
I definitely feel like I had a different upbringing to a lot of other people, but not in a bad - or good - way.
I'm very influenced by jazz drummers. I always liked drummers like Roger Taylor, Keith Moon, Ian Paice, John Densmore. I just learned from playing to those drummers.
I'm not really sure why so much people still listen us. I think we live in an era when people get attached to stuff, and it means something. Then I think a lot of people heard about it over the years - like somebody's older brother might tell them, you know, because we're from his era, and he might be like, "You need to listen to this; this is what it's all about," you know what I mean? I don't know, man, it's hard to say. But it makes us feel special.
Sometimes I feel like I could have been a Depression-era person, just because of my need to make sure that I'm conservative in how I think about money.
Traveling has been a really big part of my upbringing and I've been fortunate enough to travel for different reasons. I'd like to think that it has had an impact on my character and personality, which ultimately affects my music.
My family was very conservative, and I had a traditional upbringing. I was not brought up to be a sex symbol, nor is it in my nature to be one. The fact that I became one is probably the loveliest, most glamorous and fortunate misunderstanding.
I feel like I had a great career in a way. Maybe not the most successful monetarily or in other ways, but creatively, I feel incredibly fortunate.
I had some great music teachers who were men, but I think there's something about having these master teachers who were women in my life. That's very meaningful to me and you see it in my work. I write a lot about matriarchs and the pain of it, the beauty of it, the burden of it, the love of it.
A lot of my family weren't present when I was young, so I was getting a lot of stories told to me about them. Certain members of family had reputations because they were involved in crime and stuff like that. Then, when I was out on the streets, I'd be hearing more stories about them. So I think my whole upbringing was just heavily story-oriented.
As far as drummers are concerned, when I was a child growing up I was really attracted to artists like Gene Kupra and Louis Bellson and Buddy Rich; a lot of the drummers that played in the popular big bands of the '40s. I would listen to their records.
A good collaboration I think it's really, truly a vibe thing. The people who are most excited about collaborations are people in the business, people who are thinking, "This is going to be great press," or, "This is going to expose you to all these people you haven't reached before." I prefer not to think like that. I'm more, if you meet the person, you like the person, you've talked to them, you feel connected, you feel like there's a creative exchange, then it kind of happens by itself. I'm open to it, but it has to feel right. If it feels forced, then I'm fearful of doing it.
I can't deny that I've had a privileged upbringing. I've been really fortunate regarding how I entered this world, not just financially, but in that I have really great parents who show me a lot of love.
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