A Quote by Bill Watterson
Every artist learns through imitation, but I rather doubt the aim of these things is artistic development. I assume they're either homages or satiric riffs, and are not intended to be taken too seriously as works in their own right. Otherwise I should be talking to a copyright lawyer.
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For me, acting is all about the aesthetic. I just want to keep honing my craft. Not that I'm taking myself too seriously, but every artist should consider himself Picasso. Otherwise, you're doing yourself an injustice.
Copyright law has got to give up its obsession with 'the copy.' The law should not regulate 'copies' or 'modern reproductions' on their own. It should instead regulate uses--like public distributions of copies of copyrighted work--that connect directly to the economic incentive copyright law was intended to foster.
I suddenly understood that if every moment of a book should be taken seriously, then every moment of a life should be taken seriously as well.
If you are going to do kaizen continuouslyyou've got to assume that things are a mess. Too many people just assume that things are all right the way they are. Aren't you guys convinced that the way you're doing things is the right way? That's no way to get anything done. Kaizen is about changing the way things are. If you assume that things are all right the way they are, you can't do kaizen. So change something!
The aim of all commentary on art now should be to make works of art - and, by analogy, our own experience - more, rather than less, real to us. The function of criticism should be to show how it is what it is, even that it is what it is, rather than to show what it means.
If you have ambitions to go beyond your dreams, you should not seek to copy others' styles, but rather aim to acquire the fundamentals of the timeless principles of academic school, which is a prerequisite for the development of your Uniqueness as an Artist.
Doing things the way you see it, going by your own heart and soul, that is pure artistic integrity. Whether the hair is six or sixty inches long, the eyes have make-up or not, the riffs are in 'E' or 'F' sharp, the amps are Marshall or not, all those things don't matter if you are doing it for the right reason, which to me means doing it for yourself!!
In dealing with the arrogant asserter of doubt, it is not the right method to tell him to stop doubting. It is rather the right method to tell him to go on doubting, to doubt a little more, to doubt every day newer and wilder things in the universe, until at last, by some strange enlightenment, he may begin to doubt himself.
Emulation and imitation can legitimately influence one's development, but ultimately the artist must find his own path - and be true to himself.
As we've seen, our constitutional system requires limits on copyright as a way to assure that copyright holders do not too heavily influence the development and distribution of our culture.
There are works of literature whose influence is strong but indirect because it is mediated through the whole of the culture rather than immediately through imitation. Wordsworth is the case that comes to mind.
Parenting advice is mostly useless because every family is uniquely its own; artistic advice is mostly useless because every artist works in their own way. Thus, figuring out how to balance the two has an intense specificity.
Sci-Hub always intended to be legal, and advocated for the copyright law to be repealed or changed, so that it will not prohibit the development of science.
Every young man should aim at independence and should prepare himself for a vocation; above all, he should so manage his life that the steps of his progress are taken without improper aids; that he calls no one master, that he does not win or deserve the reputation of being a tool of others, and that if called to public service he may assume its duties with the satisfaction of knowing that he is free to rise to the height of his opportunity.
And that works for me. So that if this is it, you better take it at its right proportion. That there are serious things, but most things are temporal and ephemeral, and you should cultivate that attitude. That joy and love and all the verities are what counts. So I try not to take too many things seriously, and if I find myself caught up in the seriousness of the moment, within a period of time, I'm able to cajole myself out of it.
This does not mean that every copyright must prove its value initially. That would be a far too cumbersome system of control. But it does mean that every system or category of copyright or patent should prove its worth.
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