A Quote by Bill Watterson

The only permanent rule in Calvinball is that you can never play it the same way twice! (Calvin) — © Bill Watterson
The only permanent rule in Calvinball is that you can never play it the same way twice! (Calvin)
The rule is to try and never play the same thing twice when you have the freedom to do that in the song.
[Calvin, who has the chicken pox, calls Susie on the telephone.] Susie: Hello? Calvin: Hi, Susie! It's me, Calvin! I was wondering if you'd like to come over and play. Susie: Why, sure! Boy, I don't think you've ever invited me to... Calvin's Mom: Calvin, what are you doing? Calvin: Nothing, Mom. Go away. Calvin's Mom: You're contagious! You can't have anyone over to play! Calvin: Shhhh! Shhhh! You'll spoil the whole thing! I was going to trick Susie into catching... HEY! OW! LET GO! Susie: [Hanging up the phone] Any chance of getting transferred, Dad?
Never play anything the same way twice.
Never play a thing the same way twice.
You know what the material is so that you never play it the same way twice.
I've never got a part in the same way twice. I've never prepared the same way. I've never experienced the filming the process the same way.
Jesus said...i'm the only way to permanent peace, im the only way to permanent joy, im the only way to eternal life, im the only way to forgiveness of sin, im the only way to the Father.
Every time, my syncopation is different, because I can never play the same fill twice. I just can't, never have been able to. Even as a Beatle, they'd say, 'Oh, double-track that.' I don't know how you do that, because when I'm in a fill I'm sort of this blackout, just this pure me coming out and I can't pure me the same, twice. So, that's that.
In my life and in my career, I really love to play different roles. I never want to play the same role twice.
There aren't any labels - all jazz means is improvization and you can never play a tune the same way twice. So jazz spills over into everything.
I looked into the rule book, and I never seen a rule of only two-handed players can play football.
You can't compare us, but I do think that Calvin Klein influenced his way of working. Calvin created this whole aesthetic with imagery - the whole sex thing. I can see that Calvin influence on his work. What Calvin has created is untouchable. My legacy, whatever it is I'm doing here, is miniscule compared to what he has done. It's just like an update deal.
I would never rep Versace. I can't stand her. I think she makes disgusting clothes. Calvin [Klein] is like, snore! Who wears Calvin Klein? I'm not dissing him. I think he's built an amazing, respectable business, but I would never want to work for Calvin Klein, ever.
The theory is that you don't play a song the same way twice because it's jazz. That's where I'm coming from.
I never want to play the same character twice. I like to do different roles. I have fun with that.
I got to train with some of the best and have critics like Oscar de la Renta and Calvin Klein. As a student under Calvin Klein, my project was to make a coat, and then years later, I was hired at Calvin, by Calvin, to design coats for him. It came full circle!
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