A Quote by Bill Watterson

I write separately from the inking up. I'm sure this varies from cartoonist to cartoonist; I find that the writing is the hard part and the drawing is the fun part. — © Bill Watterson
I write separately from the inking up. I'm sure this varies from cartoonist to cartoonist; I find that the writing is the hard part and the drawing is the fun part.
Drawing is more fun to me than writing. I think it's interesting to talk to different cartoonists about how those activities work for them. I'm a very writerly cartoonist. I certainly spend more time on the writing than I do on the drawing, even though the drawing, of course, is very time-consuming.
I don't consider myself a cartoonist, because to me a cartoonist has a lot of technical ability to draw and such. However, I do consider myself to have a bit of a cartoonist character. I definitely am analyzing and satirizing pop culture and politics and whatever strikes my fancy.
If you're a balanced cartoonist, you're not a cartoonist. You definitely have to have a bias.
If a good cartoonist can make a living making his comics, he'll continue to do that; the lesser insincere cartoonist that gets a lot of press will fall by the wayside eventually.
Humor is basically a cognitive process. And it's a creative process not only on the part of the cartoonist but on the part of the viewer.
I went through a phase where people would introduce me at parties as a cartoonist, and everybody felt sorry for me. 'Oh, Matt's a cartoonist.' Then people further feeling sorry for me would ask me to draw Garfield. Because I'm a cartoonist, draw Snoopy or Garfield or something.
If you're a painter, it's simply taken for granted that you'll spend a lot of time in museums studying great paintings, but if you're a cartoonist, it used to be very hard to see an original cartoon drawing.
At 16, I was drawing cartoons, and I wanted to carry on being a cartoonist.
The only thing I ever wanted to be was a cartoonist. That's my Life. DRAWING.
I never really thought of myself as an Asian-American cartoonist, any more than I thought of myself as a cartoonist who wears glasses.
It's a strange thing to be a so-called alternative cartoonist, because in the early part of my career, I was really tethered to the superhero world.
I have the standard cartoonist setup, which is one of those Cintiq tablets, and a laptop. If I'm mostly writing code, I'm on the laptop, and if I'm mostly drawing, I'm on the Cintiq.
I think there was a point in the past when I felt that my options as an artist were either to make race a nonissue and deny its impact on life and just say, "Don't think of me as an Asian cartoonist. Just think of me as a cartoonist."
Almost every cartoonist, when he's sitting down to draw a funny face, if you watch him closely, his mouth is gonna curl to the expression that he's drawing. But when I would write a story - I know it's going to sound almost ridiculous and infantile - I would, in a way, start living it.
I can certainly be surprised by turns a story takes, but usually not once I'm actually in the writing/drawing stage. In the plotting stage, anything can happen. That's why I try to finish that part before I start writing. I may be exaggerating here - I'm sure there are times when I think of something part-way through that changes the story, but the ultimate outcome doesn't change. Or not yet. It could always happen.
The writing is hard, and the drawing is fun. It's very satisfying to see a drawing start to come together.
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