A Quote by Bill Watterson
Too often cartoonists just look at other cartoonists and, after a lot of inbreeding, everyone has the same funny look. The challenge of drawing is that there is no one right way to visually describe something. It's a good thing to confront your limitations and preconceptions every so often.
Related Quotes
Perspective was always important. There are some cartoonists who can stand at the foot of a building looking straight up and they'll capture it perfectly. And then there are those of us who do the same drawing and it's the goofiest-looking thing in the world. But after a while I guess you just learn what you're capable of and what you can and can't do.
I think it's vital to be honest with yourself. You do have to satisfy yourself first. If you're drawing something, you have to ask yourself if it's something you genuinely think is funny. Or is it starting to fall into just a category, just kind of a shtick thing? I think it's important for all cartoonists to be honest with themselves about their own sense of humor and what they're doing.
There are two ways to look at my publishing career. One is that I'm a novelist churning out books, who is eight into a series; the other way is that I'm a cartoonist, just starting out. Most cartoonists have long careers: Charles Schulz drew Peanuts for 50 years.
There is too much illustrating of the news these days. I look at many editorial cartoons and I don't know what the cartoonists are saying or how they feel about a certain issue.
I know what I look like. I'm not a babe who's automatically going to be the leading-lady type. I think I would always be cast as the friend. I probably tend to look crap more often than I look good. I like messing around and pulling funny faces and doing funny walks.
Don't look back, never look back. How often do people tell themselves that after an experience that is exceptionally good (or exceptionally bad?)? Often, I suppose. And the advice usually goes unheeded. Humans were built to look back; that's why we have tat swivel joint in our necks.
I've come to look upon death the same way I look upon root-canal work. Everyone else seems to get through it all right, so it couldn't be too difficult for me.
One of the things that is always difficult about a collaboration is that you don't necessarily find the same thing funny. And so the challenge becomes, how do you tell the other person that you don't think something's funny? The best collaborations tend to be when you are willing to be told that. But there's also ego involved, and so there's a lot of frustration in knowing that you're writing something, and the other person, on some level, needs to think that it's funny.
I do feel that film and TV are often behind when it comes to the way women look, they often dress them in khakis and denim shirts, but women and mothers these days look great and films need to reflect that. Real people look very fashionable, moms are at the forefront of the style. But things are getting better in that way.
The most important thing I learned is I have to get my body in shape, because those men look good. Not just the other quarterbacks - everyone. Their bodies look good.
My drawing, like that of most cartoonists, is intended first of all to be functional: to create believable space, and communicate information. My strongest point in drawing has always been my ability to show characters' nonverbal communication through facial expression and posture.
When a novelist manages to describe or evoke something you thought or felt, without realizing that other people also found themselves in the same situation and had the same feelings, it creates that same solidarity. Maybe it's better to think of humor not as a tool to express the solidarity, but a kind of by-product. Maybe the realization "I'm not on my own on this one" is always, or often, funny.
A comic is a way of literally experiencing someone else's vision with a purity that I don't think any other medium offers; there are no technical, electronic or financial limitations; one only has to work harder to improve. Lately I think a new attitude has prevailed that comics aren't inherently an Art form, but that some cartoonists are genuinely artists.
Look at the way I look. Guys like me aren't on TV too often. Not on news channels.
Our greediness so often troubles us, making us run after so many things at the same time, that while we too eagerly look after the least we miss the greatest.
How you experience your life depends on how you look at it. If you look at it as a constant stream of difficulties and challenges, messes and problems, it will show up that way. If, on the other hand, you see it as a continuing flow of good fortune, one good thing after another, that is what you will encounter.
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