A Quote by Bill Watterson
Paul Gauguin asked, "Whence do we come? What are we? Where are we going?" Well, I don't know about anyone else, but I came from my room, I'm a kid with big plans, and I'm going outside! See ya later!.. Say, who the heck is Paul Gauguin anyway?
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I'm now painting with all the elan of a Marseillais eating soup, which won't surprise you when I tell you I'm painting large sunflowers. The idea? To decorate the studio, now there's hope of Gauguin living here. I aim at a dozen panels of sunflowers in the room I've set aside for Gauguin.
Being on a Paul Thomas Anderson film, the best decision an actor can make is to listen to Paul Thomas Anderson. Because he's probably not going to steer anyone in the wrong direction. I would always say go with your gut on any other movie set, but with Paul, I would say go with Paul's gut.
I felt that film (Let It Be) was set up by Paul for Paul. That is one of the main reasons the Beatles ended. I can't speak for George, but I pretty damn well know we got fed up of being sidemen for Paul. After Brian died, that's what happened, that's what began to happen to us. The camera work was set up to show Paul and not anybody else. And that's how I felt about it.
Although most of us know Vincent van Gogh in Arles and Paul Gauguin in Tahiti as if they were neighbors -- somewhat disreputable but endlessly fascinating -- none of us can name two French generals or department store owners of that period. I take enormous pride in considering myself an artist, one of the necessaries.
I lost both my parents, and it wasn't as hard as losing Paul, because you've got your whole life with them - you know it's going to happen. With Paul being my best friend, I just didn't see it coming.
I wanted to paint in a folk-artist-y way. My heroes were Van Gogh, Gauguin, Matisse, and Rembrandt. I think Picasso is about as a modern as I got. But I incorporated things that they rejected as well as movements that happened later.
There's no real animosity, anymore... Me and Paul had a good team and we still are a good team. When Lennon died, Paul said he was never going to let that happen again, he was never going to fall out with anyone again.
I am the best wrestler in the world. I've been the best ever since day one when I walked into this company, and I've been vilified and hated since that day because Paul Heyman saw something in me that nobody else wanted to admit. That's right, I'm a Paul Heyman guy. You know who else was a Paul Heyman guy? Brock Lesnar, and he split just like I'm splitting, but the biggest difference between me and Brock is I'm going to leave with the WWE Championship.
I knew that's where I was going. I knew we were going to Italy. You couldn't make this movie in America at this price. I knew it was going to be big. I knew there was going to be a ship involved and that there was going to be a set as big as the ship. I thought, well, here we go. But I knew that was where he was headed. He had been going this way for some time. All directors, once they have some success, they want to spend a whole heck of a lot of money. (Something else can't hear.)
Paul was a huge movie star, and I think really what I didn't realize about Paul that I've since learned, is how loved Paul was to this scale.
The wrinkled man in the wheelchair with the legs wrapped, the girl with her face punctured deep with the teeth marks of a dog, the mess of the world, and I see - this, all this, is what the French call d'un beau affreux, what the Germans call hubsch-hasslich - the ugly-beautiful. That which is perceived as ugly transfigures into beautiful. What the postimpressionist painter Paul Gauguin expressed as 'Le laid peut etre beau' - The ugly can be beautiful. The dark can give birth to life; suffering can deliver grace.
You're not going to look at Paul and see him slacking, not carrying his weight. All the other stuff, 'Paul doesn't lead' and all that? That's fine. Go grab guys that lead, then. Let me help them lead.
What is so liberating about this whole business is when you see that, you know, big movies are going to come out, huge movies are going to come out, and then you see them up in Malibu in the little Triplex theater a week later, on the scratch negative, and you think...“This is show business. This is the great movie career. And it’s all finding it in the shoebox.”
I'd like to have a kid, and I'd like to be driving around. I know a kid is going to be a big part of my life. I can trust my kid. I know my kid would be in the backseat of my car, and when I say You wanna get some ice-cream? he's going to be happy. My brother has kids. I see that trick work, the ice cream trick.
Ron Paul is in favor of letting states legalize marijuana, prostitution, and cocaine. So even if he doesn't win, that's going to be one heck of an election night party.
But at some point, you know that - you know what poem keeps going through my mind is, "first they came for the Jews." People, all of us, are like, "Well, this news doesn't really affect me." "Well, I'm not a bondholder." "Well, I'm not in the banking industry." "Well, I'm not a big CEO." "Well, I'm not on Wall Street." "Well, I'm not a car dealer." "I'm not an auto worker." Gang, at some point, they're going to come for you!
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