A Quote by Bill Watterson

I always think of "Popeye" and "Barney Google" as quintessential comic strips in that old rollicky, slapstick way we've sort of lost. — © Bill Watterson
I always think of "Popeye" and "Barney Google" as quintessential comic strips in that old rollicky, slapstick way we've sort of lost.
I think in daily newspapers, the way comic strips are treated, it's as if newspaper publishers are going out of their way to kill the medium. They're printing the comics so small that most strips are just talking heads, and if you look back at the glory days of comic strips, you can see that they were showcases for some of the best pop art ever to come out.
Barney's Dad was really bad so Barney hatched a plan when his dad said "Eat your peas." Barney shouted no and ran Barney tricked his mean old dad and locked him in the cellar Barney's Mom never found out where he'd gone, Cause Barney didn't tell her. There his dad spent his life eating mice and gruel With every bite for fifty years he was sorry he'd been cruel
I liked the old comic books, especially the funny ones like 'Popeye' and 'Beetle Bailey.'
I think in daily newspapers, the way comic strips are treated, it's as if newspaper publishers are going out of their way to kill the medium.
It seems beyond the comprehension of people that someone can be born to draw comic strips, but I think I was. My ambition from earliest memory was to produce a daily comic strip.
In comic strips, the person on the left always speaks first.
The demise of Google Reader, if logical, is a reminder of how far we've come from the cuddly old 'I'm Feeling Lucky' Google days, in which there was a foreseeably-astonishing delight in the way Google's evolving design tricks anticipated what users would like.
I started writing when I was 9 years old. I was like this weird kid who would just stay in my room, typing little funny magazines and drawing comic strips.
Mainly, I thought of Barney as a kid. You can always look into the faces of kids and see what they're thinking, if they're happy or sad. That's what I tried to do with Barney.
Saturday morning cartoons do that now, where they develop the toy and then draw the cartoon around it, and the result is the cartoon is a commercial for the toy and the toy is a commercial for the cartoon. The same thing's happening now in comic strips; it's just another way to get the competitive edge. You saturate all the different markets and allow each other to advertise the other, and it's the best of all possible worlds. You can see the financial incentive to work that way. I just think it's to the detriment of integrity in comic strip art.
Mainly, I thought of Barney Fife as a kid. You can always look into the faces of kids and see what they're thinking, if they're happy or sad. That's what I tried to do with Barney.
I always have my Biore strips because they're fun. I always have Crest White Strips. I always have lip balm, and I'll bring concealer with me.
If you look back at old Captain America comic strips, he used to fight Nazis, you know? The American ideal is standing up and saying, 'No, that is not the status quo, and we will not accept that.'
It used to be that comic strips were the big thing, and comic books were toilet paper.
I'm always sort of looking for projects that I can sort of put out into the world, into the public sphere, and to somehow cause an effect. I want to be able to create projects that sort of are going to make people think and think in this sort of magical, sort of fantastical way.
About the only way you can find out about the common man, his slang, what he looked like, what he thought, is through the comic strips. It's a powerful way for young people to learn history.
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