I decided I wanted to go to Cambridge, and then I got introduced to Fred Sanger. I was very conscientious, and I asked him when I first got there if I should start reading up on things. But he said, 'No, I think you can just start these experiments,' so I plunged right in.
I've had people say to me, "Well, how do I start collecting artworks?" Well, you start by buying. Buy what you like, buy what you can afford - and I'm not just saying that because I'm a dealer. You can't be so paralyzed to where you keep saying, "I've got to learn more." The best way to learn is to go home and actually put something on the wall. Then you've got an investment. Then you're living with it. Then you're in the game.
You've got to go where the work is. My mom got a job somewhere else so I went and lived with her and then I just bounced all over going to school, chasing rainbows and all that.
Sometimes you got to start somewhere. And it's cool, as long as where you start is not where you plan on finishing.
This proving of such and such I found to be almost like cheating. You start somewhere, and then you go into a dark tunnel, and then you come out at another place. You find that you have proved what you wanted to prove, but in the tunnel, you don't see anything.
You don't have to go to New York and you don't have to go to LA or London. Go somewhere cheap. Go somewhere with free art museums and then just go to art museums.
I believe you have to start with a craft; you don't just start with a dream. You've got to put a lot of work in. If you want to pursue acting, then you go to acting class. If you want to be a dancer, then you learn to dance, which is what I did.
All the effort went into getting there and then I had nothing left. I thought I'd got somewhere, then I found I had to go on.
If I was going to start over, then I wanted to go somewhere I could get better and win and see if I was a really good player. That's why I came to Duke.
I got very famous for a minute and then it just all went away, you know? And for the last 20 years - you've got to pick yourself up and dust yourself off and then go on your merry way and start again, in a sense, and that's what I've been doing.
Girls interested in modeling need to realize that its hard work. You can go to a shoot in the morning and not even start shooting until 10pm - and still be there at 5am the next day. Then if you still haven’t got the shot, you’ll have to go back the next day and start again!
If you're somebody that gets a chance to go somewhere... that has to work somewhere or go to another city, then do your best to see it. Because I just think that's the best way to have an interesting life.
You start at the end, and then go back and write and go that way. Not everyone does, but I do. Some people just sit down at the page and start off. I start from what happened, including the why.
I got alright GCSEs, but I was lost. I didn't know what to do, whether to continue with education, go to uni, go to art school - then again, I was like, 'Maybe I should just go and get a job, start early and make money.'
As you do on any cable series, if they introduce you as the villain, then you better start working towards making him a really good guy, or if they introduce you as a really good guy, then you better start working towards being the villain. Your character has to go somewhere, or else they become very uninteresting.
If I'm feeling desperate, I'll go out image-hunting. I'll go to news agents and stand at the rack flicking through magazines or go to second-hand bookshops. And then, bit by bit, like concrete poetry, I start to realise that I am drawn to particular things, and then I start wondering why that is.