A Quote by Bill Wyman

All of my books are about researching. I do all the research and I give it to a writer who can put it in the written word better than I could. — © Bill Wyman
All of my books are about researching. I do all the research and I give it to a writer who can put it in the written word better than I could.
If you read the biographies of people who have written good books, you often see the point where they suddenly come into themselves, and those weeks in the spring of 1997 were when I came into myself as a writer. They feel like some of the best weeks of writing I’ll ever have. The discovery that I could write better about something as trivial as an ordinary family dinner than I could about the exploding prison population of the United States, and the corporatization of American life, and all the other things I’d been trying to do, was a real revelation.
Even if the script's well written there's something about the life of an improvisation that resonates better than a written word, sometimes.
I have written, probably, more books for children than any other writer, from story-books to plays, and can claim to know more about interesting children than most.
Only idiots or snobs ever really thought less of 'genre books' of course. There are stupid books and there are smart books. There are well-written books and badly written books. There are fun books and boring books. All of these distinctions are vastly more important than the distinction between the literary and the non-literary.
Research is fundamental; finding as much as you can and never giving up. I love the research. It is my "precise time". Not just for interviews but of footage, photographs never seen before. It is a painstaking process that satisfies me. The research never ends. I was still researching while I was promoting the Diana Vreeland book. I love reading books and going to original sources.
I thought research would be more glamorous, somehow. I'd give the librarian a secret code word and he'd give me the one book I needed and whisper the necessary page numbers. Like a speakeasy. With books.
It's a completely powerful and serious book, as good as anything in prose or poetry written by a 'beat' writer, and one of the most alive books written by any American for years. I don't see how it could be considered immoral.
I don't believe a poet has a better hold on truth or morality than a fiction writer has. And I don't think a fiction writer has anything over a journalist. It's all about the good word, properly inserted.
There is a lot of learned material written about nationalism - scholarly books and papers, histories of it, theories of it - but most of us understand that nationalism, at its heart, at its very deepest roots, is about a feeling of superiority: We are better than you. Our country is better than your country.
I enjoy the act of research. I'm researching as a means to an end, but I literally just enjoy reading about how people lived in the past and understanding it better.
All my books take a long time to research. I spend several months researching before I start writing, and in the middle of writing I often have to stop and look up stuff. At my local library, I am one of the best customers! The research takes several months.
Isn't it remarkable how everyone who knew [D.H.] Lawrence has felt compelled to write about him? Why, he's had more books written about him than any writer since Byron!
The books I haven't written are better than the books other people have.
To be honest, I don't usually do very much research, especially if I'm working with a director who also wrote the screenplay. They've usually done a tonne of research. And they'll tell you about it from their perspective which is better than doing your own research.
By the time I get through writing a score, I know the book better than the book writer does, because I've examined every word, and questioned the book writer on every word.
I have written about Chile extensively, and therefore I have read many books on the subject, mostly for research.
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