A Quote by Bill Wyman

The first records I heard were from Dizzy Gillespie and people like that. — © Bill Wyman
The first records I heard were from Dizzy Gillespie and people like that.
I remember the first time hearing a recording from Minton's Playhouse; it was Charlie Christian and a young Dizzy Gillespie, and he was just the best musician in the room.
Bop began with Jazz but one afternoon somewhere on a sidewalk maybe 1939, 1940, Dizzy Gillespie or Charlie Parker or Thelonious Monk was walking past a men's clothing store on 42nd Street or South Main in L.A. and from a loudspeaker they suddenly heard a wild impossible mistake in jazz that could only have been heard inside their own imaginary head, and that is a new art. Bop.
I think I was first awakened to musical exploration by Dizzy Gillespie and Bird. It was through their work that I began to learn about musical structures and the more theoretical aspects of music.
I had a cat called Dizz, after Dizzy Gillespie.
I skipped school one day to see Dizzy Gillespie, and that's where I met Coltrane. Coltrane and Jimmy Heath just joined the band, and I brought my trumpet, and he was sitting at the piano downstairs waiting to join Dizzy's band. He had his saxophone across his lap, and he looked at me and he said, 'You want to play?'
I went up to his [Hank Jones'] house and there were four guys there: Dizzy Gillespie, Charlie Parker, Bud Powell, and Max Roach. Not a bad place to be. Scared shitless, but a nice place to be on my second day in New York.
Dizzy Gillespie would come by, eating gumbo. It was crazy. My grandparents were friends with all of them. Dee Dee Bridgewater, all of them, they'd come through.
I once saw Dizzy Gillespie at a live show, and it made me want to go home immediately and start writing.
I was 16 years old, and I was just flailing around, looking for an interest. I heard, you know, these jazz records. They were modern records, at the time in the '50s, and I realized that I didn't fully get what was going on. But I liked a lot of what I heard.
I grew up listening to Ravel, Debussy, Bartok and jazz like Charlie Parker, Dizzy Gillespie, Cannonball Adderley, Charlie Christian and Django Reinhart. It was incredibly inspiring! And I was given a guitar and I said 'What the hell is this?!'
One of my first records that I heard was 'Wish You Were Here' by Pink Floyd.
Listen- my relationship with radio on a personal level is nothing but a one way love-a-thon... I love radio, I grew up on radio. That's where I heard Buddy Holly, that's where I heard Chuck Berry. I couldn't believe it the first time I heard one of my records on the radio, and I STILL love hearing anything I'm involved with on radio, and some of my best friends were from radio. But we were on different sides of that argument, there's no question about that.
As far as hip hop, I ain't even gonna front, it was 'Rapper's Delight.' That was the first thing I heard where I was like, 'Whoa.' You take that beat and do something over it. I started collecting records after that, old records.
Ornette Coleman is doing the only really new thing in jazz since the innovations in the mid-forties of Dizzy Gillespie, Charlie Parker, and those of Thelonious Monk
Oftentimes, when people cut a record from analog tape to vinyl, they digitize the music first; I did a little investigating and discovered that most vinyl records that I've ever heard were digitized before they were put onto vinyl.
I just really liked those trumpets and horns - Miles Davis, Dizzy Gillespie - and I honed in on that. I always looked for those big horn lines.
This site uses cookies to ensure you get the best experience. More info...
Got it!