A Quote by Bill Wyman

I open events for museums and I do charity work and photography. — © Bill Wyman
I open events for museums and I do charity work and photography.
I moved to Los Angeles, and 'The Office' became successful, and the charity/cocktail party circuit is really not my scene. But I played golf, and I started getting invited to charity golf events, and I just fell in love with the game ten-fold, and at a lot of these events, there were athletes.
Some artists leave remarkable things which, a 100 years later, don't work at all. I have left my mark; my work is hung in museums, but maybe one day the Tate Gallery or the other museums will banish me to the cellar... you never know.
Often what we do is open our house for various charity events. I don't seat according to protocol. I don't invite people because of who they are in the administration or their positions of power. The few who do come, are there because I like them.
Landscapes, heads and naked women are called artistic photography, while photographs of current events are called press photography.
I'm very interested in the idea of unusual museums, ones that are not necessarily contemporary art museums - more like historical collections or house museums.
I try to pay it forward. I do a lot of philanthropic and charity work. Some of my greatest awards, greatest rewards, have not been for comic work but for charity work.
The photography is not the aim of the work; the articulation of the work through photography is another way of understanding what's going on and what's happening outside.
In the '70s, in Britain, if you were going to do serious photography, you were obliged to work in black-and-white. Color was the palette of commercial photography and snapshot photography.
Charity is to unburden you from your guilt, so you say, `I am doing something: I going to open a hospital, going to open a college. I give money to this charity fund, to that trust....` You feel a little happier. The world has lived in poverty, the world has lived in scarcity, ninety-nine percent of people have lived a poor life, almost starving and dying, and only one percent of people have lived with richness, with money - they have always felt guilty. To help them, the religions developed the idea of charity. It is to rid them of their guilt.
Museums that aren't perfect are the ones that I love. Museums that aren't overdesigned. I always like to visit the strange, odd museums. In New York, the Frick is absolutely my favorite, favorite place because I like to think that it was someone's home not that long ago.
I don't know that there were any rules for documentary photography. As a matter of fact, I don't think the term was even very precise. So as far as I'm concerned, the kind of photography I did in the FSA was the kind of photography I still do today, because it is based on passionate concern for the human condition. That is the basis of all the work that I do.
When we want to help the poor, we usually offer them charity. Most often we use charity to avoid recognizing the problem and finding the solution for it. Charity becomes a way to shrug off our responsibility. But charity is no solution to poverty. Charity only perpetuates poverty by taking the initiative away from the poor. Charity allows us to go ahead with our own lives without worrying about the lives of the poor. Charity appeases our consciences.
I like to think of Photography 1.0 as the invention of photography. Photography 2.0 is digital technology and the move from film and paper to everything on a chip. Photography 3.0 is the use of the camera, space, and color and to capture an object in the third dimension.
I did charity events with the Cup all the time.
I've enjoyed photography, ever since I was a teenager, and I'm still at it. I've had shows in various cities, around the country, and I have a number of pieces in permanent collections in museums that I'm very proud of.
It is true that there is a thing crudely called charity, which means charity to the deserving poor; but charity to the deserving is not charity at all, but justice. It is the undeserving who require it, and the ideal either does not exist at all, or exists wholly for them.
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