A Quote by Bill Wyman

But why is it that in music, anything more than 5 years old - apart from a few hits - is never played on radio to the young public? — © Bill Wyman
But why is it that in music, anything more than 5 years old - apart from a few hits - is never played on radio to the young public?
Early on, before rock 'n' roll, I listened to big band music - anything that came over the radio - and music played by bands in hotels that our parents could dance to. We had a big radio that looked like a jukebox, with a record player on the top. The radio/record player played 78rpm records. When we moved to that house, there was a record on there, with a red label. It was Bill Monroe, or maybe it was the Stanley Brothers. I'd never heard anything like that before. Ever. And it moved me away from all the conventional music that I was hearing.
What does it mean for a civilisation to be a million years old? We have had radio telescopes and spaceships for a few decades; our technical civilisation is a few hundred years old ... an advanced civilisation millions of years old is as much beyond us as we are beyond a bushbaby or a macaque
Other than a few years of piano as a kid, I don't have all that much musical training. I played piano for all the musicals in high school and was in a few bands, but never really considered music as a viable career until I was in college.
You gotta start somewhere. It is what it is. People listen to Soundcloud more than the radio. So why would you put your music on the radio first?
Popular music of the last 50 years has failed to keep in step with advances in musical theater, namely Stephen Sondheim. But the two have grown apart so that popular music is based more than ever on a rhythmic grid that is irrelevant in musical theater. In popular music, words matter less and less. Especially now that it's so international, the fewer words the better. While theater music becomes more and more confined to a few blocks in midtown.
Riches, power and fame last only for a few years! Why do people cling so desperately to these transitory things? Why can't people who have more than they need for themselves give that surplus to their fellow citizens? Why should some people have such a hard time during their few years on this earth?
When I was 5 years old I would lie in bed, look at the radio, and I wanted to be on the radio. I don't know why.
When I really started liking music was when I could play some of it myself, and after a couple of years of playing folk music, I kinda rediscovered those hits that were on the radio all the time when I was a kid.
I've taken a few public hits in my career, and I never hid the pain of it from my children. Nor did I hide the regrouping and rethinking that occurred after each one. After all, that process allowed me to re-emerge and go on to build a more impactful - and more engaging - career path than the one I had been knocked off of.
I started listening to a lot of Jimi Hendrix and Neil Young when I was 8 or 9 years old - I had siblings that gave me good music instead of the crap that was on the radio in the '90s.
If the radio ever played my music, I would sue them. And they know it, which is why they don't play my music.
My playing music is strictly for fun. When I was in a band, I was really excited to talk about it since I had never really played music to that extent. It was never meant as something I would consider as anything more than having fun with my friends. But I think I would enjoy writing music for the movies that I'm working on.
In the last few years I've been listening to jazz more than anything else. I listen to a lot of world music and experimental here and there.
I played 18 seasons. That's a lot. There is some that played more. Brett Favre I think played a couple more. There is a few. There is a few guys that played more, but not many.
Most of the time, when I had hits as a soloist - maybe not so much with Simon & Garfunkel - I was surprised they were hits. I didn't know what the hits were. I never thought that 'Loves Me Like A Rock' was going to be a hit, or 'Mother And Child Reunion,' or '50 Ways To Leave Your Lover.' They didn't sound like what the hits sounded like at the time. Radio was more open to things that weren't exactly what every other hit was.
When I was at school, I was in choirs more than anything else, from a very young age, about 9 years old. And then I started taking drum lessons.
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