I know how long it takes me to draw a page, how long it takes me to complete a project, how long I can work before my hand gives out, that sort of thing.
If you ask me about music and how things should be played, I believe that music-making is the combination of having learned how to do something right, what one feels is right to do in the moment, and the way the audience is listening.
Drinking was a big help with me making music, because drinking gives you courage. But it also makes you reckless, and that's the trouble.
If anybody had a sense of history, it wasn't me, I'll tell you that. I, I was just enjoying life and, and making a living and, and, you know, listening to all this good music. No, there was never in my mind any kind of sense of history, nothing.
Decision-making takes care of goal-setting, but discipline also takes care of goal-getting. Decisions and discipline can't be separated; one is worthless without the other.
We often wonder why God gives and takes, constricts and expands. What we forget is that human beings understand things by their opposites. Without dark, we can’t understand light. Without hardship, we wouldn’t *experience* ease. Without the existence of deprivation and loss, we couldn’t grasp the need for gratitude or the virtue of patience. And without separation, we wouldn’t taste the sweetness of reunion. Glory be to the one who gives—even when He takes.
The one thing I learned the most about acting is it takes a tremendous amount of courage to go there and stand still. It takes courage and guts to step out of your mind frame and depict something.
Classical music fulfills for me the function of narrative. I spend 90 minutes a day listening to symphonic music - Beethoven to Bartók - some chamber pieces, and that's my enrichment.
I love when I reach Marcus on the phone and as he says hello, I can hear the music he's listening to in the background. That music is the sound of him without me. How he surrounds himself when I'm not there, which is almost all the time.
Rap is the only super-current music. If you're into reggae or dancehall, and you don't know Bob Marley, then you don't really know what you're listening to. But if you're listening to rap, and you're 15, you're like, 'Grandmaster Flash? Who's that? Public Enemy? Yeah, my dad told me about them once.' And that's just how it is.
It's basically a city of songwriters and that's what gives it it's strength, that's what gives it its lasting ability. You've got people making all different kinds of music and that's what attracts me to Nashville as Music City.
I will continue making music, whether or not I get opportunities in films. I know I have fans who like to listening to me sing.
For me, a garden is peace of mind. It immediately takes my mind off the thing I'm puzzling about in my work and gives me repose.
Without danger I cannot be great. That is how I pay for Abel's blood. Danger and fear follow my steps everywhere. Without them courage would have no sense. And it is courage, courage, courage that raises the blood of life to crimson splendor.
So many of the models of courage we've had, ones that are still taught to boys and girls, are about going out to slay the dragon, to kill. It's a courage that's born out of fear, anger, and hate. But there's this other kind of courage. It's the courage to risk your life, not in war, not in battle, not out of fear ... but out of love and a sense of injustice that has to be challenged. It takes far more courage to challenge unjust authority without violence than it takes to kill all the monsters in all the stories told to children about the meaning of bravery.
The problem with listening to music today is that there's so much of it everywhere. We've got used to hearing music without actually listening to it.