A Quote by Billie Holiday
I think I copied my style from Louis Armstrong. Because I used to like the big volume and the big sound that Bessie Smith got when she sang ... So I liked the feeling that Louis got and I wanted the big volume that Bessie Smith got. But I found that it didn't work with me, because I didn't have a big voice. So anyway between the two of them I sorta got Billie Holiday.
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I've got some crazy, stupid big goals. I really wanna headline arenas. I wanna have such a big crew that we've got to have 20 or 30 buses on the road because that's how big the show we're putting on is.
When my sister and I were kids, swimming down in Charleston, there was this pizza parlor that had this old Dixieland band play, and I just loved Louis Armstrong and the sound of his voice, and I got up there with the band and started singing Louis Armstrong songs when I was a kid. I have no idea why, but I did it and I loved it.
I think some of the big characters, you know, they do these adventures, but they've got something about them, they've got this charisma, and they've got to have a sense of humor. Because whether it be very dry, or very silly, they've got to be likable.
Through a lot of conversations with the Minister [Louis Farrakhan] you've got to know when to say something. But if you are forever going to be afraid to say anything, then you become irrelevant - as a force. I mean, so the God-given gift that you got, you're not a relevant player in the game - you're just a dude whose got money, got a big house and some cars.
Compared to the big 19th-century novelists, I've got a slim volume of work.
There ain't no clean way to make a hundred million bucks.... Somewhere along the line guys got pushed to the wall, nice little businesses got the ground cut out from under them... Decent people lost their jobs.... Big money is big power and big power gets used wrong. It's the system.
A woman gets stretch marks from one of two things. Either she was big and got small or she was small and got big.
All my characters have got a big slice of me in them. A big piece of me, because it's my dialogue and this is the way I think and talk.
We have to recognize we've got some big problems on race, just like we got still big problems on crime, just like we got big problems on just about everything. But we also have to make sure that we've - draw confidence from the progress that we have made, 'cause otherwise, you get into this cycle of cynicism.
It's a big deal when you have got to fire the deputy director of the FBI because he lies four times, twice under oath. It's also a big deal when you have got to reassign people off the Mueller probe, when you have got cash at the Democratic National Committee that is convertible into a warrant to spy on American citizens.
The big clubs will always talk about the same names such as Ancelotti, Mourinho, and Wenger. Louis Van Gaal is always in there as well. He has his own style and is a very determined man. He knows exactly what he wants. He's got direction, the ability and experience at big clubs such as Barcelona and Bayern Munich.
I swing big, with everything I've got. I hit big or I miss big. I like to live as big as I can.
It [my vocal] didn't sound like what I wanted to hear; the vibrato isn't what I liked anymore. So I got myself to an ear, nose and throat guy who does a lot of work with singers, and I was hoping there was a big wart on my vocal cords or something and they could scrape it off and I could have the voice I wanted. But he said, "No, for 71, that's your voice."
Rickey got a big ranch. Rickey got a big bull. Rickey got horses. Rickey got chickens and everything. And Rickey got a 20-gallon hat.
I think the important thing to understand first and foremost about Michael Jackson is that he was the international emblem of the African American blues spiritual impulse that goes back through slavery - Jim Crow, Jane Crow, up to the present moment, through a Louis Armstrong, through a Ma Rainey, through a Bessie Smith, all the way to John Coltrane, Aretha Franklin and Nina Simone.
At seventeen years old, I found out I could sing, and I got up and sang in a club, and I got a big hand, and I thought, 'I'm gonna continue this.' So that's how it all began.
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