A Quote by Billie Joe Armstrong
Songs are like a form of chaos that you can control. It's a form of intelligence that maybe you only understand and you hope that someone else can understand. And you can be anyone you want: you can be as grandiose as you want or you can be as down in the gutter as you want. It's just sort of whatever emotional freeway you're on at the time.
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What makes you attractive is being yourself, being natural, being unaware. Even though makeup is important, you should do it all, and then forget about it. You don't want to look like anyone else, any more than you want to be anyone else. You want to look like you. Imitation may be the sincerest form of flattery - but it's flattering to someone else. Not to you.
I just do as many songs as I can and then I put it together when I get sort of in the middle, maybe 30 songs, that's when I start really thinking about the name of the cd and what direction all the songs are going, that kind of stuff. But I don't ever want to corner myself, I just want to be able to express whatever I can express in songs and just pick after that.
When you work in form, be it a sonnet or villanelle or whatever, the form is there and you have to fill it. And you have to find how to make that form say what you want to say. But what you find, always--I think any poet who's worked in form will agree with me--is that the form leads you to what you want to say.
I'm no different to anyone else; I want people to like me. I just don't particularly want them to understand me.
Maybe this is just me, because my priorities have changed as I’ve gotten older. But now I don’t want to be ‘sort of dating’ someone. I don’t want to be ‘kinda hanging out’ with someone. I don’t want to spend a lot of energy suppressing all my feelings so I appear uninvolved. I want to be involved.
It's still hard for me to understand, what is to me, the morbid fascination with celebrity. I just want to sing, I want to work on my music, I want to make my movies, that's all I want to do. I understand, you know, the interest but I really don't understand the fascination with it.
You are the only one of you. From the beginning of time till the end of this world to the end of eternity. There's only one of you ever created. Ev-er. You are the only you. That's pretty powerful. So why on earth would you want to look like anybody else, dress like anyone else, dance like anyone else, be someone else, when you are a legend in your own right?
Just like anyone else, I want privacy at times, but I understand that I am a celebrity.
But this is what I know about people getting ready to walk of the edge of their own lives: they want someone to know how they got there. Maybe they want to know that when they dissolve into earth and water, that last fragment will be saved, held in some corner of someone's mind; or maybe all they want is a chance to dump it pulsing and bloody into someone else's hands, so it won't weigh them down on the journey. They want to leave their stories behind. No one in all the world knows that better than I do.
I want to be successful and I want people to hear the music and I want to make money at it, but if it isn't what you do, eventually it seems like that will cause you to not be able to do what you do. If you did that for a couple years, you would just become someone else, which is fine, I guess...but I don't want to become someone else. I want to do what I enjoy and what feels right.
Regarding pushing the form, ideas interest me more than form. I think you can write a very subversive play in a three-act structure. The content makes the play. I feel the form is simply dressing, because ultimately, you want to communicate to the audience, and sometimes the best way to do that is to present a provocative idea in a format that is comfortable for them to receive. Then the idea will come through directly, right in solar plexus. After all, I want to make a living as an artist, and that means speaking to the audience in a form they can understand.
If you want immortality, then deny form. Whatever has form has mortality. Beyond form is the formless, the immortal.
Does it mean, if you don't understand something, and the community of physicists don't understand it, that means God did it? Is that how you want to play this game? Because if it is, here's a list of things in the past that the physicists at the time didn't understand [and now we do understand] [...]. If that's how you want to invoke your evidence for God, then God is an ever-receding pocket of scientific ignorance that's getting smaller and smaller and smaller as time moves on - so just be ready for that to happen, if that's how you want to come at the problem
People who are digital native, they want to have real-time performance feedback. They want to understand where they are, what might happen, what their future is. And they want to understand that quickly in a very direct conversation.
That's where the songs come from: that's what I'd most want people to understand. What sounds good or looks good, that's nothing. The only worthwhile thing in art is seeing someone else's heart.
I was attacked the other night for being grandiose. I would just want you to note: Lincoln standing at Council Bluffs was grandiose. The Wright Brothers standing at Kitty Hawk were grandiose. John F. Kennedy was grandiose. I accept the charge that I am grandiose and that Americans are instinctively grandiose.
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