A Quote by Billie Joe Armstrong
Punk is dead to anyone who didn't get it in the first place
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I moved to Naples, Florida, and by 15 I was into punk: Green Day, Rancid, NOFX, Operation Ivy. Along with the classic punk bands, like the Sex Pistols, the Clash, the Misfits, Dead Kennedys, Minor Threat - all those bands that you get into when you're first getting into punk.
I was a punk when I was 15 - I was definitely into it in a big way and loved it - but I came to London when punk was maybe where you'd say punk is dead.
Goth is dead, punk is dead, and rock n' roll is dead. Trends are dead. Nothing exists anymore because the world is spinning faster than any trend.
Punk is not dead. Punk will only die when corporations can exploit and mass produce it.
I am very grateful to punk because I was a girl, and I felt like if I got in a band, I'd be kind of a novelty act, but punk was all about non-discrimination. No one cared because it was punk, so, you know, anyone could do anything they wanted.
I was part of punk's second generation, so, not the first wave of '70s punk, but the American hardcore scene. I had a really strong love for music prior to that, but punk created a new template.
There is a place on earth that is a vast desolate wilderness, a place populated by shadows of the dead in their multitudes, a place where the living are dead, where only death, hate and pain exist.
I've always loved punk music, so it was really cool to do my first punk song.
DEVO was like the punk band that non Punk America saw as Punk and so when people who were really into Punk rock would be walking around on the streets the jocks who learned about Punk through Devo would roll down their windows and yell at the Punks: 'HEY, DEVO!!'
Basically, I don't ever move too far past the death, burial and resurrection of Jesus, because it's of first importance. And I make sure it's of first importance with anyone I'm talking to. It all comes down to that, really, when you get right down to it. So it's not complex. Jesus removed our sins and guarantees we can be raised from the dead.
I remember being really young - being 13 or 14 - when I first was really excited about punk rock as an idea, and I was like, 'Don't ever not be punk. Don't ever not be punk.' Telling that to myself, I guess it was like self-defense against the scary world around me.
I first conceived of my far-future setting 'Punktown' in 1980, and though it contains 'punk' in its name, the term 'cyberpunk' hadn't been coined yet. I took my inspiration strictly from punk music.
Let's be honest, I don't think anyone ever wants to settle down in Hollywood - it's a place you go to work. And once you've hit it, you get out of there as soon as you can. It's definitely not a place you want to get married and have kids.
Johnny Rotten isn't punk. Maybe that's punk to somebody, but these people are participating and challenging the corporations that are telling us what punk is and what good music is.
Rip Rig + Panic that I joined, they were really influenced by jazz and blues and punk. So I think what happened from punk, which was kind of DIY, was that it created a kind of creative place that was kind of without limits, in a way.
On the first album, we were trying to do a pop-punk album with a classical influence. We'd say 'pop-punk,' and people would say, 'No, you're like burlesque-cabaret-punk,' or, 'It's baroque-pop,' and we were like, 'That sounds way cooler.'
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