A Quote by Billie Lourd

It's been so great being on 'American Horror Story' and 'Scream Queens' because there were some days when I didn't work, and I would spend my time shadowing directors.
'Scream Queens' was so much fun, kind of like a big sorority. And 'American Horror Story' is very serious, like a really hip family of middle-aged women. The deaths were fun on 'Scream Queens'; the deaths on 'Horror Story' are very real and intense, and you have to be emotionally prepped for them.
I would love to work with Pendleton Ward who created 'Adventure Time,' and I'm dying to work with Ryan Murphy. I'm obsessed with 'American Horror Story' and everything he does.
In terms of directors, great actors make directors - Gary Oldman was great to work with, for me; Tim Roth, too. You work with Scorsese and Spielberg and they were wonderful directors, but for me, working with actor/directors is special.
I'm a huge fan of Jessica Lange and 'American Horror Story.' I would love to work with her. She's been one of my favorite actresses for a while.
I would love to sign on to do a movie if it was the right role and if it was the right script, because I would be taking time away from music to tell a big grand story, and spend all of my time and pouring all of my emotions into being someone else. So for me to do that, it would have to be a story worth telling.
There's no objective reason anyone can point to that proves a horror story is innately inferior or that it's doomed to fail as a work of art because of it being horror. Anyone saying otherwise is being intellectually dishonest.
Mr. Murphy is really, really amazing. I have admired him from the time that I saw the first season of 'American Horror Story.' I watched 'Glee,' but once I saw 'American Horror Story,' I was like: 'I'm working for him.'
Great directors turn in mediocre work, and first-time directors turn in exceptional work. No matter how good a person can talk about what he wants, you never know. You just have to go with a good story and a script that you like and people that you like to work with.
I want to work with great directors. I've picked films based on the script or the character and seen them collapse because the directors were not strong visionaries.
I knew I wanted to work with Brad [Falchuk] and Ian [Brennan] again on something comedic, and we are having a blast writing SCREAM QUEENS. We hope to create a whole new genre - comedy-horror - and the idea is for every season to revolve around two female leads.
Just the idea that someone is married and they've got a kid, and he reports for work one morning and his boss says, "You're wife is a spy. Shoot her." In the real story, he just went back and did it, which would have been a short film. Therefore, I had to spend some time exploring what you would do.
In the old days, before there was such a thing as film schools, directors learned the camera by watching other directors, and learning from their own dailies, and listening to the cameraman, and seeing what would work. Some of those guys could cut their movies in their head.
I wanted to write a horror story. But in some ways, I have always thought of myself as a kind of ghost-story/horror writer, though most of the time the supernatural never actually appears on stage.
And some days, he went on, were days of hearing every trump and trill of the universe. Some days were good for tasting and some for touching. And some days were good for all the senses at once. This day now, he nodded, smelled as if a great and nameless orchard had grown up overnight beyond the hills to fill the entire visible land with its warm freshness. The air felt like rain, but there were no clouds.
I don't have any problem working with first-time directors because all directors have to start somewhere and all great directors have had a first film. So, if you take the view that you don't want to work with a first-timer, you might miss out on a fantastic opportunity.
They call me a legend in my own time, because there were so many queens gone that I'm one of the few queens left from the '70s and the '80s.
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