A Quote by Billie Piper
I now know how to walk around properly in my undies. People would keep telling me to push my tits out! I also now know how to use a whip on people without causing bruising.
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Filmmaking materials are in the hands of more people now than ever before. I would like to think that the more people have these tools, the more people will learn how to use them, it's another argument I would argue for, personally, for art's education. Because there are kids who aren't that literate in screen language and they've got to know how people select shots, how people edit audio, how people combine things to make what they see on the screen. It would be like the 15th century or the 16th century in Germany, and somebody amends a printing press and you don't know how to read and write.
My faith in God is everything at this point. Also, my family and friends that I've had around me pretty much my whole life and my boyfriend, we've been together for eight years. I try to keep people around me who've been around me, who've seen me struggle. They know how dedicated I am and how hard I've worked. They know me - not the Jennifer from American Idol and Dreamgirls, but the real Jennifer.
I now have faith in those who say they represent a faith. Whereas before I was like, 'Do not give me a lecture on how to live my life when I know I'm a pretty decent human being. I might not go to church every day, but I know I do the right thing or try to. You're going to church and you're still sleeping around on your wife and spending everyone's money. How are you better than I am?' So I've finally met people that walk the walk and it's made me happy, really happy.
Before 'Gremlins,' I was a normal person, then within two weeks of the movie coming out, I couldn't walk into a store without people turning around and staring. It's exciting and also scary because everyone starts telling you how amazing you are.
It's fun for women to be in a Western. And I had to learn how to handle the guns. I would walk around with the fake guns. It takes a lot of practice to twirl them around - but I can do a lot of crazy things now from movies. I can gallop a camel! Give me a camel, I know how to start it and stop it!
I always felt it is not good if you feel like you would know how to do something. I've made mistakes of telling people: I know how to do this. And it should feel dangerous. That is the only way to stay alert, to keep the adrenaline running.
What grinds me the most is that we’re sending kids out into the world who don’t know how to balance a checkbook, don’t know how to apply for a loan, don’t even know how to properly fill out a job application, but because they know the quadratic formula we consider them prepared for the world?
My great strength as an editor, I believe, is structure: I know how to reorder a piece, I know how to reach into a jumbled story and extract the important narrative. And I can do both of these things very fast. I also think I've become better at cutting text. You don't always relish it, of course, but by now I know how to distill something without sacrificing its essence.
There are no young people who know how to debate, who know how to vote, and who know how to persuade people to vote. And you have seen this in Paraguay and they are reaping the harvest now of fifty years of dictatorship.
A long time ago, I took a walk down a street in Harlem in New York City. I came upon a man who asked me for a dollar. He had asked a few other people before me, but they only passed him by without glancing his way. I stopped and handed the man some money. As I began to turn away, he reached out and shook my hand. He looked me in the eyes and said, "I will bless you." Now, I'm not saying that was God Himself. But how do we know that it wasn't someone working for him, walking around in disguise, just to see what we would do?
All I have to do is be me on stage. But acting, I have to be someone else, and walk how they would walk and blink how they would blink. I used to talk about it bad like, 'Aw man, that person made $10 million a movie?' But now I understand why they do. I get it now.
I think fashion is really opened me up as a person. All eyes are on you when you do the shows and when you do the photo shoots. You have to know how to act around people. I used to be a shy kid in school. I didn't know how to interact with people and now I find it so easy. Fashion has really done something great for me and it's really changed me as a person. I've changed my style as well.
An African woman carries heavy loads anyway. That's how we are trained; we are brought up that nothing is unbearable. I use that now, positively. I use that now to have the thick skin that I have, and not fear, and move forward, and push; and push forward.
People ask, 'Why would you cast yourself in your movie?' And, for me, it's more like an achievement that I am now not playing all the parts, you know? Like I was for so long, in all my performances and a lot of my short movies. So, that's where I'm coming from, not out of a kind of actress-y sense of myself. I mean, I don't really see myself as an actress, but more from performance: this is how you make something. You do it yourself. You're in it and you write it. I think I keep doing it that way, 'cause it's my way. It's what makes me feel like I know how to do it.
I get paranoid about people staring at me. Even now I don't deal with people looking at me. I can't do it sometimes. I can't go out. I don't know how to react when people stare.
I use more makeup now then I did before. I didn't use to wear really that much, and I didn't know how to do makeup, but now I know how to do it a bit more. I can do eyes and makeup in general more. I do like my own lipstick as well.
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